Completed in 1872 as a “Cathedral of Methodism,” the Norman-Gothic Mount Vernon Place United Methodist Church was a signature achievement for the noted Baltimore architects Thomas Dixon and Charles L. Carson. It was also at first an immense source of aggravation to its neighbors.
By the 1870s, Mount Vernon had become the place to live for Baltimore’s elite, and Mount Vernon Place with the Washington Monument was the central jewel of the community. The church’s heavy presence off the north park, green serpentine stone amidst the Baltimore brick and more subdued color palate, and steeple that reached nearly to the top of President Washington’s head sparked a great deal of angst. The fact that the church replaced the house where Francis Scott Key passed away did not help sooth the neighbors. The house was the home of Key’s daughter and her husband, Elizabeth Phoebe Key and Charles Howard.
After its early days, however, the church has become a central and admired part of Mount Vernon Place. Architecturally, it was built of striking green serpentine stone, as well as buff, olive and red sandstone. Architects Dixon and Carson embellished it with polished granite columns and carved designs taken from nature. Its many gothic details of flying buttresses, a tower, and arches are purely esthetic in function, as the building is constructed over an iron framework. There are even grotesque stone faces above the windows on the west front (three full cut, two in profile) said to be likenesses of prominent persons living at the time the church was built. On the inside, the church is notable for its iron supporting columns, carved wooden beams, and stained glass cross window over the pulpit.
In addition to its architecture, the church’s congregation has made its mark on Baltimore as well. The group began in a building on Lovely Lane (intersecting today’s Redwood Street downtown) and is credited with launching the Methodist Episcopal Church in the United States in 1784. The current church on Mount Vernon Place is the congregation’s fourth home. In addition to its spiritual work, the congregation has provided innumerable secular services to Baltimore. In World War II, the church provided beds, food and entertainment to servicemen returning from the front.
Beginning in the 1970s, they led efforts to help runaway teenagers and victims of drug abuse, and began a service organization to engage young Baltimoreans in helping their city. The congregation today continues its service to Baltimore in many ways, including opening to 91ĘÓƵ and the curious public.
A devout Methodist, Colonel John Berry purchased the site of this church in the early 1800s. Tired of traveling three miles from Calverton Heights to the closest Methodist Episcopal Church, Berry decided to establish a new chapel close to his Baltimore County home. A stone chapel was dedicated in the fall of 1836, the church expanded in 1878, and in the 1880s, a Sunday School building was constructed.
By 1920, the congregation had outgrown the stone chapel. Even with several later additions since 1835, the building seated only 275 people—a fraction of the over 450 Methodist families in the parish. The congregation decided to demolish the original chapel and construct a new church.
The present Gothic Revival structure was designed by G.N. MacKenzie and Wyatt & Nolting, a prominent local architectural firm. An article published in The Christian Advocate following the completion of the church stated that "A fine plant has been erected with adequate Sunday school rooms, an auditorium that will seat 900, a gymnasium, and other desired features." The cornerstone was laid on July 19, 1920, and the church was dedicated on April 25, 1921.
Bishop Carr purchased the group's first church on N. Mount Street. The small congregation then left the Church of God in Christ for the doctrine of the Apostolic Doctrine in Jesus Name, and was renamed Rehoboth Church of God in Christ Jesus Apostolic. In 1945, the congregation branched off from the larger Apostolic organization, forming its own denomination. The same year, the congregation moved to another church on N. Fulton and Riggs Streets. In 1954, the congregation purchased the former Summerfield Church at 700 Poplar Grove Street, where they are still located today.
Saint Peter Claver Church at Pennsylvania Avenue and Fremont Street takes its’ name from a sixteenth-century Spanish priest who is considered the patron saint of slaves. The building dates back to 1888 making it the city’s second oldest African-American Roman Catholic Church. True to the inspiration of Saint Claver, the congregation and their leaders, have long been active in seeking equal rights for African Americans in Baltimore.
Father Henry Offer led the church from 1960 to 1971 and was a member of the NAACP and Urban League. In 1968, he was one of the city’s African American leaders to speak out after the riots following the death of Martin Luther King, Jr., criticizing Governor Spiro Agnew for laying blame for the unrest on local black activists. Later that same year, the parish chartered buses to transport its members, as well as community residents, to the Poor People’s March on Washington. The march, planned by the by the Southern Christian Leadership Conference before King’s death, was led by Civil Rights activist Ralph Abernathy.
In 1966, Father Philip Berrigan advocated for the disinvested urban neighborhoods from his position at the church. Berrigan, whose long career as a Catholic activist included burning Vietnam War draft cards with his brother Daniel Berrigan and others of the Catonsville Nine. In the years leading up to this, Berrigan worked from St. Peter Claver to establish the Baltimore Interfaith Peace Mission and actively lobbied and demonstrated for the city’s African American communities.
Another Civil Rights activist coming from St. Peter Claver in the 1960s was Father John Harfmann. In 1967, Harfmann, who was white, worked with Black activist Dickey Burke to provide recreation opportunities in West Baltimore through Operation CHAMP. During his tenure at the church, he also participated in integration activities with church members and actively supported efforts of BUILD (Baltimoreans United In Leadership Development) to create housing, provide job opportunities, and rebuild neighborhoods in the city. At his funeral, fellow priests remembered how Harfmann was “wholly dedicated to being a priest in the African American community,” and recalled him as “a tireless fighter for justice who did things that people said were not possible.”
Today, the church continues their long tradition of civil rights and community activism, in part, by hosting the No Boundaries Coalition that works to unite communities around the church that have historically been divided by racial and economic barriers.
Established in 1922, Olivet Baptist Church has occupied the historic Edgewood Theatre since the late 1960s. Built in 1930, the Edgewood Theatre was designed by one of the city’s most prominent theatre architects—John J. Zink.
Born in Baltimore in 1886, Zink graduated from the Maryland Institute College of Art in 1904 and started work with architect William H. Hodges and the local architecture firm Wyatt & Nolting. He began working on theatres when he joined architect Thomas W. Lamb in designing the famous Hippodrome Theatre on Eutaw Street and the Maryland Theatre in Hagerstown, Maryland. Over the next few decades, Zink and his partners designed over 200 movie theatres in cities up and down the east coast including over thirty in the Baltimore-DC area including the Senator Theatre on York Road and the Town Theatre (now known as the Everyman).
In the Edgewood Theatre's heyday, the marquee featured a tall electric sign (a near twin of the Patterson designed by Zink on Eastern Avenue). Like many smaller neighborhood theatres, the business began to struggle in the 1950s and, after a brief second life as an art house theatre in 1962, ended its life as a movie house. That same year, Bishop Wilburn S. Watson joined the Olivet Baptist Church then located in a modest building on Riggs Avenue. In the late 1960s, Bishop Watson led the effort to purchase the former theatre on Edmondson Avenue and convert the building into a new sanctuary for the congregation.
Organized in 1875 by Samuel H. Cummings at Gilmore and Mulberry Streets, the Harlem Park Methodist Episcopal Church relocated to Harlem Park in 1880 under the leadership of John F. Goucher. The church constructed a new building in 1906 under the leadership of Rev. E.L. Watson and then moved again to Harlem Avenue and Warwick Avenue under the leadership of Rev. E.P. Fellenbaum. The new building was described:
“Gothic in design, with an auditorium seating 800 persons. In addition, there will be an educational building, equipped with 10 rooms for Sunday-school work. In the basement will be a social hall. A recreation room with bowling alleys and a lecture room that may be converted into a gymnasium also are planned.”
At a mortgage burning ceremony in 1947, Fellenbaum recalled that some criticized the project, and the $100,000 mortgage, as “Fellenbaum’s Folly.” The congregation laid the cornerstone for the new building at 4:00 PM on May 2, 1925. The Harlem Park Methodist Episcopal Church was dedicated at 3:00 PM on November 21, 1926 with Bishop William Fraser McDowell officiating.
In May 1953, the Harlem Park Methodist Church merged with the Grove Methodist Chapel, erected in 1857 on Johnnycake Road in Baltimore County, to form the Wesley Memorial Methodist Church in Catonsville, Maryland. Their building was offered for sale at $210,000. Bishop E.A. Love of the Washington Conference appointed the Reverend N.B. Carrington as the leader of the Union Memorial United Methodist Church and assisted in securing help from the Washington and Baltimore Conferences and the Board of Missions to purchase the property.
The church had previously moved from Pine and Franklin Streets to North and Madison Avenues in 1951 and had fewer than 100 members when it moved to Harlem Avenue in 1953. By the time of Rev. Carrington’s retirement in 1961, however, the church had grown to over 600 members. Carrigton began pastoring at Union Memorial United Methodist in 1952, and also worked as the supervisor of the AFRO’s pressroom. He later commented, “I married, baptized and buried many of them down there — matter of fact they call me the AFRO’s chaplain.” Commenting on the success of the church in paying off the building’s $225,000 mortgage in 8 years, Carrington noted, “Those are the kind of people we have in our congregation. They wanted to get it out of the way and they worked hard to do it.”