Canterbury Hall Apartments, also known as Canterbury Hall, sits at 100 W. 39th Street, and is part of the Tuscany-Canterbury Historic District. It was the first apartment building in Tuscany-Canterbury. Its architecture is in the late Tudor Gothic style. George Morris, a well-known real estate developer who sold racially-restricted houses in the 1910s and 1920s, and later was criticized for his anti-Jewish business policies, built the apartment house. Canterbury Hall is not to be confused with a building of the same name in Washington, D.C. Canterbury Hall was first conceived of as “Haddon Hall.” The landwas sold by the University Parkway Company to a developer, the Fireproof Apartment Company, prior to its construction. The outside consists of brick with accents of stucco, and a half-timbered English style with oak beams. With fifteen apartments spread across three stories, each apartment has gas fireplaces, hardwood floors, glass doorknobs, and other amenities like porches. Each apartment is separated by fireproof walls that are eighteen-inches thick. At the time that the apartment house was built, Canterbury Hall only rented to white people. Canterbury Hall was designed by renowned architects, Clyde Nelson Friz and Edward Hughes Glidden, as part of their Glidden & Friz partnership. The apartment building opened in 1912, the same year that Tudor Arms Apartments (under the name of Tudor Hall) opened on University Parkway. Unlike Tudor Arms, Canterbury Hall has no elevator. Over the years, the apartment house became the home of professional chemists, history and English teachers, Goucher College alumni, U.S. military captains (like Henry C. Evans), medical researchers (Paul Galpin Shipley), naval commanders (Frederick J. Bell), engineers, inventors, school commissioners, tutors, and bank executives. Even members of the Glidden family, such as Glidden himself, lived there. It was also a place for cocktail parties, informal luncheons, and weddings. Although there have been renovations and changes over the years, Canterbury Hall remains intact to this day, serving as a residence for some, and a beautiful, grand, and historic landmark for others.
Tudor Arms Apartments on University Parkway is one of the few cooperative housing apartments in Baltimore. It is composed of two buildings, which sit within the Roland Park Historic District. The first of the two apartment buildings, which is five-stories tall, replaced a popular tavern at the site known as Biddy Rice’s Saloon. After purchasing the site from the Roland Park Company in January 1911, the Wentworth Apartment Company would begin constructing the first building, at a cost of $100,000 at the time. The company’s secretary, J.G. Valiant, would be the building’s renting agent.
Two renowned architects, Clyde Nelson Friz and Edward Hughes Glidden, worked together on the building’s architecture, with brick and stone in the style of Tudor Revival, and terra cotta trimmings. The building opened to residents in 1912 with the name Tudor Hall. This “high-class apartment,” as it was described at the time, had a working elevator (which remains in operation), steam heat, hardwood floors, and other amenities. The nearby concrete bridge over Stony Run had only been built four years earlier, which is still intact. A train, part of the Maryland and Pennsylvania railroad, would run underneath the bridge until January 1958 when it stopped operating there.
Friz and Glidden partnered again for the second building, named Essex Arms, which had the same architectural style as the first building. It opened to residents in 1922. The building’s landlord, Guilford Realty Company, later purchased the building from the Wentworth Apartment Company. The apartments were available to rent on a month-to-month basis. On February 25, 1929, the Baltimore City Council unanimously voted to rename the dirt road to the south of the apartment building from “Tudor Hall Avenue” to “Tudor Arms Avenue.” The name is still used to this day.
In May 1947, three residents, Marie Codd, Nora Quillen, and Ralph Quillen purchased the buildings from the landlord, planning to make Essex Arms and Tudor Hall into a cooperative housing corporation, naming it Tudor Arms Apartments. This came to pass in October 1947.
Some residents challenged this and sued the newly-established cooperative. However, the highest court in Maryland, the Court of Appeals, ruled in favor of the cooperative, and against the tenant challengers, in the case of Tudor Arms Apartments v. Shaffer. The ruling, which reversed a circuit court decision, held that those who bought cooperative apartment units were the owners indefinitely, as long as they exercised “good behavior.” Their decision would later be cited by courts in Maryland, Illinois and Massachusetts in cases involving other housing cooperatives, such as Greenbelt Homes and Village Green Mutual Homes.
Sometime after the founding of the Tudor Arms housing cooperative, likely in either the late 1940s or 1950s, a bridge connecting Essex Arms and Tudor Hall would be constructed, signifying that both buildings were one community. Specific building names would later be dropped. The terms “North Building” and “South Building” would be used in their place. Over the years, Tudor Arms has been the home to many prominent residents. This has included epidemiologist Wade Hampton Frost, historical scholar Kent Roberts Greenfield, sculptor Ephraim Keyser (and his wife Fannie), music educators Grace Harriet Spofford and Elizabeth Coulson, Theo Lippman (father of Baltimore writer Laura Lippman), and former Maryland State Senator Jill P. Carter.
In the late 1960s, the Tudor Arms Board opposed plans by the Baltimore Department of Recreation and Parks to change neighboring Wyman Park into a recreation space, wanting it to be “natural,” instead. To justify their decision, they cited their support for Johns Hopkins University’s purchase of 31 acres of the park for university development in 1961, which included the creation of San Martin Drive.
In recent years, residents have honored the apartment community’s history with “Tudor Arms Day” in August 2024 and “Tudor Arms Day 2” in April of this year. This included a guided tour to historical spots of note, multiple tri-fold historic display boards, a self-guided scavenger hunt, an unveiling of a painting commissioned by residents of the North Building, and other activities.
"My library shall be for all, rich and poor without distinction of race or color, who, when properly accredited, can take out the books if they will handle them carefully and return them."These were the words of Enoch Pratt in 1882 when he gave a gift of over $1 million to Baltimore City to create a central library and four branches. By 1894, the Pratt Library had the fourth largest collection in the country and one of the most active circulations. With assistance from Andrew Carnegie, the library system and its branches grew tremendously in the early 1900s, expanding to over 20 neighborhood branches. In 1927, the citizens of Baltimore voted to spend $3 million in city funds to build a new Central Library building. The construction of the current central library building on Cathedral Street began in 1931 and was completed in 1933. Architect Clyde N. Friz hoped to avoid the old-fashioned institutional character of the past in his design and instead to give the library "a dignity characterized by friendliness rather than aloofness," as Pratt Director Joseph Wheeler stated. The new building allowed the library to form specialized departments, such as "education, philosophy, and religion," "industry and technology," as well as the "popular library," now known as the fiction section. Although allowing for expansion, the design of the new building retained one of Pratt's steadfast requirements: that there be no stairs leading into the main entrance. This seemingly odd requirement, and one that certainly went against the grain of architectural design for grand civic institutions at the time, was based Pratt's philosophy that the library should be open to all people. Pratt saw grand stairs as an impediment, especially to a growing segment of the reading population: women who may be pushing babies in strollers. Far before the advent of the Americans with Disabilities Act and its accessibility requirements for public buildings, the main entrance to the library pointedly tell the story of Pratt's vision and commitment to inclusivity. Watch our on the building!