/items/browse/page/17?output=atom <![CDATA[Explore 91Ƶ]]> 2025-05-05T16:31:36-04:00 Omeka /items/show/52 <![CDATA[The Algonquin]]> 2024-04-08T14:10:27-04:00

Dublin Core

Title

The Algonquin

Subject

Architecture

Creator

Eli Pousson

Curatescape Story Item Type Metadata

Story

At the southwest corner of Chase and St. Paul in November 1912, the Algonquin Building Company completed a modern ten-story apartment house that neatly complements the historic 1903 Belvedere Hotel down the block. Architect William Nolting, of Wyatt & Nolting, evidently liked the building so much he moved in and lived there for nearly twenty years. The Algonquin Building Company was organized by Webb & White, a partnership of George R. Webb, a Baltimore capitalist who helped to consolidate the city's many street railway companies, and Theophilus White, a successful executive in the new telephone industry. The partnership purchased the building lot on Chase Street from General Francis E. Waters, a local lumberman and financier.

Designed by architects Wyatt & Nolting and built by J. Henry Smith & Sons Company at a cost of $200,000, the new building was nine stories high with terra cotta details on the first three floors. Each floor contained two "large housekeeping apartments and two bachelor suites."

The firm of Wyatt & Nolting began in 1887, a partnership of Baltimore native James B.N. Wyatt and William G. Nolting. The partnership also designed the Walbert apartments just up the street at Charles and Lafayette. Nolting not only designed the Algonquin but became one of its first residents, living in apartment E-8 from 1917 through 1936. After his death in 1940, the Baltimore Sun devoted an editorial to expressing regret for his passing, describing Nolting as "one of the very small group of architects–small nationally as well as locally–who by main strength lifted American architecture out of the doldrums in which it had rested during the latter part of the nineteenth century and gave it new vitality."

In the 1940s, the building converted its apartments to doctors' offices and became known as the Medical Arts Building. In 2015, after several years of vacancy, the building reopened with fifty-six new market-rate apartments. Waldon Studio Architects converted the original luxury apartments into smaller, energy-efficient units with a design that sought to comply with current codes while preserving original historic details.

Official Website

Street Address

11 E. Chase Street, Baltimore, MD 21202
]]>
/items/show/51 <![CDATA[The Latrobe Building]]> 2019-05-10T22:50:16-04:00

Dublin Core

Title

The Latrobe Building

Subject

Architecture

Creator

Eli Pousson

Curatescape Story Item Type Metadata

Story

At the northeast corner of Charles and Read Streets stands the beautiful Latrobe Apartment House. The name for the building comes from the original Latrobe House, built just after the Civil War and torn down in 1911 to make way for the new apartment building.

When John H.B. Latrobe built his home in Mt. Vernon in the 1860s, development had only recently started to migrate north from the fashionable area around the Washington Monument. John's son– future seven-term Baltimore mayor Ferdinand Latrobe–moved into the house with his wife Louisa Sherlock Swann, the daughter of Thomas Swann (a former Mayor of Baltimore and Governor of Maryland). Right next door to the Latrobe House was another 1860s mansion built by the family of Clinton L. Riggs, who moved to Baltimore as a young child. After Latrobe's death in 1911, Riggs decided to purchase the home and tear it down, along with his own family home, to build a modern nine-story apartment house.

Architects Glidden & Friz designed the building in an early Italian Renaissance style. According to the Baltimore Sun, it was "fitted with many of the latest conveniences" with "many quarters especially designed for bachelors." Edward Glidden had already made his mark in Mt. Vernon with the Washington Apartments on Mt. Vernon Place and the Rochambeau at Charles and Franklin (demolished in 2006). His partner Clyde Friz was just starting to develop the reputation that within the next few years would make him one of Baltimore's best-known Beaux Arts architects, with buildings like the Standard Oil Building on St. Paul Street (1922), the Scottish Rite Temple (1930), and the Enoch Pratt Free Library (1933).

Like many historic apartment buildings, the Latrobe Building experienced notable changes over the years, first converted to medical offices and then converted partially back to residences in the 1970s. The Latrobe Building underwent an expensive $3.5 million renovation supervised by architects Cochran Stephenson & Donkervoet in the 1980s and now serves as offices to many Baltimore non-profit organizations.

Street Address

2 E. Read Street, Baltimore, MD 21202
]]>
/items/show/50 <![CDATA[The Walbert]]> 2018-11-27T10:33:49-05:00

Dublin Core

Title

The Walbert

Subject

Architecture

Creator

Eli Pousson

Curatescape Story Item Type Metadata

Lede

The Walbert building stands out in the Station North skyline with a bright coat of paint and rich Beaux Arts details.

Story

The story of this landmark begins in 1907, when Charles J. Bonaparte—a great-nephew to Emperor Napoleon I of France, a prominent local lawyer and, at the time, attorney general under President Theodore Roosevelt—first announced plans for the building.

Acting as the trustee for the Walter R. Abell estate, which owned the property, Bonaparte commissioned the construction of an eight-story fireproof apartment house at the northwest corner of Charles Street and Lafayette Avenue. Working from a design by Baltimore architects Wyatt & Nolting, builder James Stewart & Co. soon completed the building at a cost of $190,000, with a fire-proof steel frame, pressed brick, and ornamental terra cotta details. The first floor featured several offices, designed for physicians or dentists, along with a large dining room. The largest and most luxurious apartments in the new building rented for as much as $900 or $1,000 per year (equivalent to over $23,000 today).

Baltimore native James B.N. Wyatt and William G. Nolting organized their partnership of Wyatt & Nolting in 1887. Wyatt was a close neighbor to The Walbert since 1876, when he designed and built a home for himself and his mother at Maryland and North Avenue across from the contemporary MICA Graduate Studio building. Charles Bonaparte also commissioned the firm to design his own home–Bella Vista–built in 1896 in Baltimore County. Wyatt & Nolting went on from the Walbert to design the Algonquin Apartments at St. Paul and Chase in 1914, along with scores of other projects across the city.

The Walbert was later converted into an office building and remained in the ownership of Crane and Crane for years while falling into some disrepair. Fortunately, the building underwent a substantial renovation in the mid-1980s through a partnership led by Howard Brown of David S. Brown Enterprises and it remains in good condition today.

Official Website

Street Address

1800 N. Charles Street, Baltimore, MD 21201
]]>
/items/show/49 <![CDATA[Washington Apartments]]>
William Cochran was born to privilege–his grandfather, Alexander Smith, had amassed a fortune as a carpet manufacturer in Yonkers, New York. Cochran moved to Baltimore in 1902 after marrying Annie Lorraine Gill. Despite his comfortable position among the local high society, he found his personal wealth troubling, explaining in an address on the "Passing of the Idle Rich" at Westminster Church, "The joy of having abundance is terribly mitigated when one is confronted with the sight of and appeals from people living under the opposite conditions. It seems all wrong."

While Cochran was vocal about his socialist ideals, he also sympathized with in the wealthy Mt. Vernon residents who sought to control the character of their neighborhood's development. He explained his purchase of the property at 700 Washington Place, remarking, "A strong desire of property holders on Mt. Vernon Place to control the kind of building to be erected on this site led me to purchase it to prevent anyone from building a skyscraper." Cochran bought the vacant mansion, built for Edward McDonald Greenway in 1835, in April 1905 for $160,000 and soon starting planning for a modern apartment house that could meet with approval from the neighbors.

The architect Cochran selected for the job was Edward H. Glidden, a Cleveland native, who arrived in Baltimore around the same time as Cochran. Glidden had already started a career that led him to become one of the city's foremost architects for apartment buildings with projects including the Stork Apartment House (1903) at Park and Monument, the Marlborough Apartments (1906) on Eutaw Place, Homewood Apartments (1910) at Charles and 31st Street, The Latrobe, Canterbury Hall and Tudor Hall Apartments. Glidden even lived at Homewood Apartments at the time of his death in 1924.

Washington Apartments went up quickly in 1906 at a cost of $300,000. Its six stories included 28 luxurious apartments and 29 rooms for servants. Measuring 69 feet and 8 inches tall, the building stood just under the recently instituted 70-foot height limit. Less than a year after completion, however, Cochran sought a permit application to build one more story, eight feet tall and set back twenty feet, to contain additional rooms for servants. The permit was denied and Cochran went to court, lost, then lost again on appeal in June 1908 with an important decision that affirmed the ability of the city to regulate building heights.]]>
2018-11-27T10:33:49-05:00

Dublin Core

Title

Washington Apartments

Subject

Urban Planning
Architecture

Description

The Washington Apartment House at the northwest corner of Charles Street and Mt. Vernon Place is a one of the finest Beaux Arts apartment houses in Baltimore. After the controversial construction of The Severn in 1895, many Mt. Vernon residents were suspicious of new "skyscrapers." Just a month after the Great Baltimore Fire of 1904, the Baltimore Municipal Arts Society successfully pushed the Maryland State Legislature to pass an "Anti-Skyscraper Bill" prohibiting the construction of any building (other than churches) over seventy feet high within one block of the Washington Monument. William F. Cochran, the developer of the Washington Apartments, built right up to the limit of 70 feet before suing to erect an 8 foot addition. His lawsuit failed, reinforcing the restriction that became known as Maryland's first zoning law and was one of the earliest zoning laws in the United States.

William Cochran was born to privilege–his grandfather, Alexander Smith, had amassed a fortune as a carpet manufacturer in Yonkers, New York. Cochran moved to Baltimore in 1902 after marrying Annie Lorraine Gill. Despite his comfortable position among the local high society, he found his personal wealth troubling, explaining in an address on the "Passing of the Idle Rich" at Westminster Church, "The joy of having abundance is terribly mitigated when one is confronted with the sight of and appeals from people living under the opposite conditions. It seems all wrong."

While Cochran was vocal about his socialist ideals, he also sympathized with in the wealthy Mt. Vernon residents who sought to control the character of their neighborhood's development. He explained his purchase of the property at 700 Washington Place, remarking, "A strong desire of property holders on Mt. Vernon Place to control the kind of building to be erected on this site led me to purchase it to prevent anyone from building a skyscraper." Cochran bought the vacant mansion, built for Edward McDonald Greenway in 1835, in April 1905 for $160,000 and soon starting planning for a modern apartment house that could meet with approval from the neighbors.

The architect Cochran selected for the job was Edward H. Glidden, a Cleveland native, who arrived in Baltimore around the same time as Cochran. Glidden had already started a career that led him to become one of the city's foremost architects for apartment buildings with projects including the Stork Apartment House (1903) at Park and Monument, the Marlborough Apartments (1906) on Eutaw Place, Homewood Apartments (1910) at Charles and 31st Street, The Latrobe, Canterbury Hall and Tudor Hall Apartments. Glidden even lived at Homewood Apartments at the time of his death in 1924.

Washington Apartments went up quickly in 1906 at a cost of $300,000. Its six stories included 28 luxurious apartments and 29 rooms for servants. Measuring 69 feet and 8 inches tall, the building stood just under the recently instituted 70-foot height limit. Less than a year after completion, however, Cochran sought a permit application to build one more story, eight feet tall and set back twenty feet, to contain additional rooms for servants. The permit was denied and Cochran went to court, lost, then lost again on appeal in June 1908 with an important decision that affirmed the ability of the city to regulate building heights.

Creator

Eli Pousson

Curatescape Story Item Type Metadata

Story

The Washington Apartment House at the northwest corner of Charles Street and Mt. Vernon Place is a one of the finest Beaux Arts apartment houses in Baltimore. After the controversial construction of The Severn in 1895, many Mt. Vernon residents were suspicious of new "skyscrapers." Just a month after the Great Baltimore Fire of 1904, the Baltimore Municipal Arts Society successfully pushed the Maryland State Legislature to pass an "Anti-Skyscraper Bill" prohibiting the construction of any building (other than churches) over seventy feet high within one block of the Washington Monument. William F. Cochran, the developer of the Washington Apartments, built right up to the limit of 70 feet before suing to erect an 8 foot addition. His lawsuit failed, reinforcing the restriction that became known as Maryland's first zoning law and was one of the earliest zoning laws in the United States.

William Cochran was born to privilege–his grandfather, Alexander Smith, had amassed a fortune as a carpet manufacturer in Yonkers, New York. Cochran moved to Baltimore in 1902 after marrying Annie Lorraine Gill. Despite his comfortable position among the local high society, he found his personal wealth troubling, explaining in an address on the "Passing of the Idle Rich" at Westminster Church, "The joy of having abundance is terribly mitigated when one is confronted with the sight of and appeals from people living under the opposite conditions. It seems all wrong."

While Cochran was vocal about his socialist ideals, he also sympathized with in the wealthy Mt. Vernon residents who sought to control the character of their neighborhood's development. He explained his purchase of the property at 700 Washington Place, remarking, "A strong desire of property holders on Mt. Vernon Place to control the kind of building to be erected on this site led me to purchase it to prevent anyone from building a skyscraper." Cochran bought the vacant mansion, built for Edward McDonald Greenway in 1835, in April 1905 for $160,000 and soon starting planning for a modern apartment house that could meet with approval from the neighbors.

The architect Cochran selected for the job was Edward H. Glidden, a Cleveland native, who arrived in Baltimore around the same time as Cochran. Glidden had already started a career that led him to become one of the city's foremost architects for apartment buildings with projects including the Stork Apartment House (1903) at Park and Monument, the Marlborough Apartments (1906) on Eutaw Place, Homewood Apartments (1910) at Charles and 31st Street, The Latrobe, Canterbury Hall and Tudor Hall Apartments. Glidden even lived at Homewood Apartments at the time of his death in 1924.

Washington Apartments went up quickly in 1906 at a cost of $300,000. Its six stories included 28 luxurious apartments and 29 rooms for servants. Measuring 69 feet and 8 inches tall, the building stood just under the recently instituted 70-foot height limit. Less than a year after completion, however, Cochran sought a permit application to build one more story, eight feet tall and set back twenty feet, to contain additional rooms for servants. The permit was denied and Cochran went to court, lost, then lost again on appeal in June 1908 with an important decision that affirmed the ability of the city to regulate building heights.

Street Address

700 Washington Place, Baltimore, MD 21202
]]>
/items/show/48 <![CDATA[The Marlborough]]> 2020-10-16T13:06:42-04:00

Dublin Core

Title

The Marlborough

Subject

Architecture
Art and Design

Creator

Eli Pousson

Curatescape Story Item Type Metadata

Story

The Marlborough Apartments is an eleven-story landmark well-known for its architecture and as the home to the famous Baltimore art-collecting Cone Sisters. Before the construction of the Marlborough, the property was the site of a large mansion owned by the wealthy Popplein family. In 1880, only three years after Eutaw Place was extended up to North Avenue, Nicholas Popplein commissioned a massive 24-room brick mansion on Eutaw Place. Popplein was a wealthy paint manufacturer and a local leader in the area's development who owned Eutaw Place from McMechen all the way to Laurens Street. Unfortunately, Popplein died at home in 1885, shortly after construction of the new mansion was complete. His estate sold the mansion in the spring of 1901 to Dr. Thomas Shearer, a local specialist in homeopathy. An adjoining lot at the corner of Eutaw Place and Wilson Street sold to William Cochran in 1905. The two proposed to combine their investments and construct the Marlborough Apartment House, designed by architect Edward Glidden. Glidden designed an eleven-story apartment house, the largest in the city at the time. It was 141 feet wide on Eutaw Place and extended 130 feet back along Wilson Street. One of the first new buildings in Baltimore to be completely wired for electricity, the Marlborough even featured a rooftop garden. Among the 96 suites, a few apartments included as many as ten rooms. Among the many wealthy locals who moved in during the first few years were Dr. Claribel Cone (1864-1929) on the sixth floor and Miss Etta Cone (1870-1949) on the eighth. The sisters were born to Herman and Helen Cone, a German-Jewish family who immigrated to Baltimore in 1871. The family's wholesale grocery business, H. Cone and Sons, prospered and the sisters' older brothers relocated to Greensboro, North Carolina, where they started a successful textile business. While inheritances from their parents kept them comfortable, the profits from their brother's mills during WWI grew their wealth considerably. Etta was the first to start purchasing art, in 1898. She met both Picasso and Matisse while visiting friends Gertrude and Leo Stein in Paris, and was inspired to become Matisse's life-long patron. Claribel was a more experimental art buyer who sought out avant-garde works at high prices, like Matisse's Blue Nude for 120,760 francs. Eventually, the sisters covered nearly every space on every wall in their apartments with their collection. After Etta's death in 1949, the Cone Collection was donated to the Baltimore Museum of Art. It included over 3,000 works, 500 of which are by Matisse, with an estimated value of one billion dollars. The decades following the Cone Sisters were not kind the Marlborough. Absentee owners allowed the building to deteriorate severely by the early 1970s. A substantial renovation that converted the building apartments started in 1973.

Watch our on the Cone sisters!

Official Website

Street Address

1701 Eutaw Place, Baltimore, MD 21217
]]>
/items/show/47 <![CDATA[The Severn]]>
Baltimore builder Joseph M. Cone and architect Charles E. Cassell unveiled plans for a new ten-story apartment house in September 1895 at the northeast corner of Mt. Vernon Place and Cathedral Street. The new building would rise to a height of 122 feet, just 7 feet shy of the 1894 Hotel Stafford, a Richardsonian Romanesque landmark around the corner facing the north garden of Washington Place. Known as "The Severn," the proposed apartment house included twenty apartment suites for families and nine bachelor apartments, along with a drug store and a kitchen for room service.

The corner had been occupied by a beautiful townhouse first built as the home of Chancellor John Johnson, Jr., a notable Baltimore lawyer (whose portrait still hangs at the Clarence M. Mitchell Jr. Courthouse) and brother of well-known Maryland politician Reverdy Johnson. One of the last owners, Henry W. Rogers was a well-established real estate investor and, after his death in 1901, his son, himself a well known real-estate agent, sold the property to Joseph Cone.

Neighbors objected to the prospect of replacing the old house with the still unfamiliar form of an apartment house. Building came to a stop in the fall of 1895 as a group of area residents approached Joseph Cone to try to buy back the property. Their effort ultimately failed when they could not raise the necessary amount to buy out the builder. However, the Severn did motivate residents to successfully lobby the state legislature to pass a bill prohibiting development in Mt. Vernon taller than seventy feet.

By the 1970s, when The Severn was designated a National Historic Landmark, Mt. Vernon was not quite as grand as it had been in the past and the apartment building sold to developer Caswell J. Caplan for the modest sum of $250,000. Over the next several years, Caplan worked to modernize the apartments, preserving the original wood floors and tile while renovating the kitchens and other elements. The Severn continues to be owned by members of the Caplan family and is now appreciated more than scorned as one of Mt. Vernon's grandest historic apartment houses.]]>
2018-11-27T10:33:49-05:00

Dublin Core

Title

The Severn

Subject

Architecture

Description

"Huge and, alas! we must say ungainly," is how the Baltimore Sun described The Severn in 1907. Designated a National Historic Landmark in 1972, few locals would still dismiss the grand Severn Apartment House as an intrusion on Mt. Vernon Place, but in the 1890s the construction of the building created a real controversy among Mount Vernon's wealthy residents.

Baltimore builder Joseph M. Cone and architect Charles E. Cassell unveiled plans for a new ten-story apartment house in September 1895 at the northeast corner of Mt. Vernon Place and Cathedral Street. The new building would rise to a height of 122 feet, just 7 feet shy of the 1894 Hotel Stafford, a Richardsonian Romanesque landmark around the corner facing the north garden of Washington Place. Known as "The Severn," the proposed apartment house included twenty apartment suites for families and nine bachelor apartments, along with a drug store and a kitchen for room service.

The corner had been occupied by a beautiful townhouse first built as the home of Chancellor John Johnson, Jr., a notable Baltimore lawyer (whose portrait still hangs at the Clarence M. Mitchell Jr. Courthouse) and brother of well-known Maryland politician Reverdy Johnson. One of the last owners, Henry W. Rogers was a well-established real estate investor and, after his death in 1901, his son, himself a well known real-estate agent, sold the property to Joseph Cone.

Neighbors objected to the prospect of replacing the old house with the still unfamiliar form of an apartment house. Building came to a stop in the fall of 1895 as a group of area residents approached Joseph Cone to try to buy back the property. Their effort ultimately failed when they could not raise the necessary amount to buy out the builder. However, the Severn did motivate residents to successfully lobby the state legislature to pass a bill prohibiting development in Mt. Vernon taller than seventy feet.

By the 1970s, when The Severn was designated a National Historic Landmark, Mt. Vernon was not quite as grand as it had been in the past and the apartment building sold to developer Caswell J. Caplan for the modest sum of $250,000. Over the next several years, Caplan worked to modernize the apartments, preserving the original wood floors and tile while renovating the kitchens and other elements. The Severn continues to be owned by members of the Caplan family and is now appreciated more than scorned as one of Mt. Vernon's grandest historic apartment houses.

Creator

Eli Pousson

Curatescape Story Item Type Metadata

Story

"Huge and, alas! we must say ungainly," is how the Baltimore Sun described The Severn in 1907. Designated a National Historic Landmark in 1972, few locals would still dismiss the grand Severn Apartment House as an intrusion on Mt. Vernon Place, but in the 1890s the construction of the building created a real controversy among Mount Vernon's wealthy residents.

Baltimore builder Joseph M. Cone and architect Charles E. Cassell unveiled plans for a new ten-story apartment house in September 1895 at the northeast corner of Mt. Vernon Place and Cathedral Street. The new building would rise to a height of 122 feet, just 7 feet shy of the 1894 Hotel Stafford, a Richardsonian Romanesque landmark around the corner facing the north garden of Washington Place. Known as "The Severn," the proposed apartment house included twenty apartment suites for families and nine bachelor apartments, along with a drug store and a kitchen for room service.

The corner had been occupied by a beautiful townhouse first built as the home of Chancellor John Johnson, Jr., a notable Baltimore lawyer (whose portrait still hangs at the Clarence M. Mitchell Jr. Courthouse) and brother of well-known Maryland politician Reverdy Johnson. One of the last owners, Henry W. Rogers was a well-established real estate investor and, after his death in 1901, his son, himself a well known real-estate agent, sold the property to Joseph Cone.

Neighbors objected to the prospect of replacing the old house with the still unfamiliar form of an apartment house. Building came to a stop in the fall of 1895 as a group of area residents approached Joseph Cone to try to buy back the property. Their effort ultimately failed when they could not raise the necessary amount to buy out the builder. However, the Severn did motivate residents to successfully lobby the state legislature to pass a bill prohibiting development in Mt. Vernon taller than seventy feet.

By the 1970s, when The Severn was designated a National Historic Landmark, Mt. Vernon was not quite as grand as it had been in the past and the apartment building sold to developer Caswell J. Caplan for the modest sum of $250,000. Over the next several years, Caplan worked to modernize the apartments, preserving the original wood floors and tile while renovating the kitchens and other elements. The Severn continues to be owned by members of the Caplan family and is now appreciated more than scorned as one of Mt. Vernon's grandest historic apartment houses.

Street Address

701 Cathedral Street, Baltimore, MD 21201
]]>
/items/show/46 <![CDATA[Woman's Industrial Exchange/Maryland Women's Heritage Center]]>
The third oldest women's exchange in the country, Baltimore's exchange is the oldest in its original building. The building at 333 North Charles was constructed in 1815 and had been used as a boarding house before the Exchange bought it in the late 1880s. The Tea Room, consignment shop, and upstairs apartments all date to this period.

The Exchange underwent extensive renovations in 2004 (incidentally, winning a 91Ƶ historic preservation award for the work). The renovations maintained the original materials (and charm), while modernizing the apartments and commercial kitchen.]]>
2023-11-10T11:22:50-05:00

Dublin Core

Title

Woman's Industrial Exchange/Maryland Women's Heritage Center

Subject

Entrepreneurs
Art and Design

Description

Launched shortly after the Civil War by Mrs. G. Harmon Brown, the Woman's Industrial Exchange was founded "for the purpose of endeavoring by sympathy and practical aid to encourage and help needy women to help themselves by procuring for them and establishing a sales room for the sale of Women's Work." In 2007, the Exchange is still pursing this mission of helping small entrepreneurs, with over 250 consigners who make hand-crafted products especially for the non-profit organization.

The third oldest women's exchange in the country, Baltimore's exchange is the oldest in its original building. The building at 333 North Charles was constructed in 1815 and had been used as a boarding house before the Exchange bought it in the late 1880s. The Tea Room, consignment shop, and upstairs apartments all date to this period.

The Exchange underwent extensive renovations in 2004 (incidentally, winning a 91Ƶ historic preservation award for the work). The renovations maintained the original materials (and charm), while modernizing the apartments and commercial kitchen.

Creator

91Ƶ

Curatescape Story Item Type Metadata

Story

Founded in 1880, the Woman's Industrial Exchange helped craftswomen discreetly earn a living and operated at 333 N. Charles Street in various forms. Launched by Mrs. G. Harmon Brown, the Woman's Industrial Exchange was founded "for the purpose of endeavoring by sympathy and practical aid to encourage and help needy women to help themselves by procuring for them and establishing a sales room for the sale of Women's Work." It was the third oldest women's exchange in the country. The building was constructed in 1815 and was used as a boarding house before the Exchange bought it in the late 1880s.

The Exchange underwent extensive renovations in 2004 (incidentally, winning a 91Ƶ historic preservation award for the work). The renovations maintained the original materials (and charm), while modernizing the apartments and commercial kitchen.

In June 2020, the Exchange stoped operating and the Maryland Women's Heritage Center (MWHC) moved into the building. The MWHC is the first comprehensive state-based women’s history center and museum of its kind in the nation. It has adapted the storefront of this landmark building into an exhibit center and small event space. Changing exhibits in the bay window facing North Charles Street feature various women artists and their creations. The center celebrates Maryland women —past and present, famous and not—and adds “HERstory to history to tell our story.”

Watch our on the building and organizations that operated here!

Official Website

Street Address

333 N. Charles Street, Baltimore, MD 21201
]]>
/items/show/45 <![CDATA[Masonic Grand Lodge]]> 2018-11-27T10:33:49-05:00

Dublin Core

Title

Masonic Grand Lodge

Subject

Architecture
Fraternal Organizations

Creator

Johns Hopkins

Curatescape Story Item Type Metadata

Story

In 1869, the Freemasons finished a new Grand Lodge for the State of Maryland on Charles Street in downtown Baltimore, with each room more decorated than the last. Originally designed by Edmund G. Lind, who also designed the Peabody Institute in the Mount Vernon neighborhood, the Masonic Temple is a testament to architectural wonder.

The building boasts what seem like miles of marble floors, stained-glass windows, painted ceilings, and decorative columns. The building's primary 19 rooms have names that portray a litany of architectural styles and historical frameworks that were important to the Masons: Oriental Room, Marble Room, Corinthian Room, and even an Edinburgh Hall. Each is done in a different architectural style and glamor. The building, completed in 1869, caught fire on Christmas Day 1890 and again in January of 1908. Although much of the interior was destroyed, the thick walls saved the structure and the decorations were brought back each time.

The Masons completed repairs to the building in 1909 following a design by Joseph Evans Sperry, who also designed the city's landmark Bromo Seltzer Tower. The building then spent over eighty years with little outward drama until the Masons moved out to a new headquarters in 1994. The city spent the next few years devising plans to raze the structure for a parking garage. Luckily, the William C. Smith Company bought the building in 1998 and with the help of architects Murphy and Dittenhafer, completed a complete overhaul following exacting preservation standards. The building today serves as a stunning conference facility.

Official Website

Street Address

225 N. Charles Street, Baltimore, MD 21201
]]>
/items/show/44 <![CDATA[Taylor's Chapel]]>
The Chapel has its origins in a Quaker meeting house that likely was built by Joseph Taylor in the mid-1700s on his property, called Taylor's Range (then in Baltimore County). Joseph was disowned by the Society of Friends for "speaking evil" of some fellow Quakers and refusing to apologize, and went off and built his own Quaker meeting house a little further away on the corner of his property. The Taylor Family kept this wooden building as a meeting house for a number of generations. Interestingly, the Quaker family allowed Bishop Francis Asbury, a leader in the founding of Methodism in America, to preach there in 1777. The conversion was surely slower that Bishop Asbury would have liked, but about thirty years later, the worshippers at the wooden building did indeed switch from Quakers to Methodists.

In 1853, Elijiah Taylor inherited the property and tore down the log meeting house to build the Methodist chapel that stands today. By 1930, however, regular services had ceased and the building sat vacant until the early 1960s, when a group of volunteers from St. John's of Hamilton United Methodist Church began taking care of it. From parent to child over a number of generations, this group still acts as caretakers of this little known jewel, and opens it up for weddings, baptisms and other events. The building was listed on the National Register of Historic Places in 1983, and still contains the original 1853 frescoes on its walls, among many other original features.]]>
2021-02-22T09:35:25-05:00

Dublin Core

Title

Taylor's Chapel

Subject

Religion
Architecture

Description

Who knew that tucked away inside the Mount Pleasant public golf course off Hillen Road sits a remarkably well preserved 150 year-old Methodist chapel. Taylor's Chapel has its roots to the Taylor family, which is one of the oldest in Maryland, stretching back to the 1600s. As brothers, John Taylor was one of the first commissioners of Baltimore County and Thomas Taylor ("Colonel Taylor" at the time) was a councilor to Lord Baltimore. The chapel was built on a tract Colonel Taylor's land called "The Ridge" where William Penn and Lord Baltimore first met to resolve their dispute over the boundary line between the colonies.

The Chapel has its origins in a Quaker meeting house that likely was built by Joseph Taylor in the mid-1700s on his property, called Taylor's Range (then in Baltimore County). Joseph was disowned by the Society of Friends for "speaking evil" of some fellow Quakers and refusing to apologize, and went off and built his own Quaker meeting house a little further away on the corner of his property. The Taylor Family kept this wooden building as a meeting house for a number of generations. Interestingly, the Quaker family allowed Bishop Francis Asbury, a leader in the founding of Methodism in America, to preach there in 1777. The conversion was surely slower that Bishop Asbury would have liked, but about thirty years later, the worshippers at the wooden building did indeed switch from Quakers to Methodists.

In 1853, Elijiah Taylor inherited the property and tore down the log meeting house to build the Methodist chapel that stands today. By 1930, however, regular services had ceased and the building sat vacant until the early 1960s, when a group of volunteers from St. John's of Hamilton United Methodist Church began taking care of it. From parent to child over a number of generations, this group still acts as caretakers of this little known jewel, and opens it up for weddings, baptisms and other events. The building was listed on the National Register of Historic Places in 1983, and still contains the original 1853 frescoes on its walls, among many other original features.

Creator

Johns Hopkins

Curatescape Story Item Type Metadata

Subtitle

150 year-old Methodist Chapel at the Mount Pleasant Golf Course

Lede

Who knew that tucked away inside the Mount Pleasant public golf course off Hillen Road sits a remarkably well preserved 150 year-old Methodist chapel?

Story

Taylor's Chapel has its roots to the Taylor family, which is one of the oldest in Maryland, stretching back to the 1600s. As brothers, John Taylor was one of the first commissioners of Baltimore County and Thomas Taylor ("Colonel Taylor" at the time) was a councilor to Lord Baltimore. The chapel was built on a tract Colonel Taylor's land called "The Ridge" where William Penn and Lord Baltimore first met to resolve their dispute over the boundary line between the colonies. The Chapel has its origins in a Quaker meeting house that likely was built by Joseph Taylor in the mid-1700s on his property, called Taylor's Range (then in Baltimore County). Joseph was disowned by the Society of Friends for "speaking evil" of some fellow Quakers and refusing to apologize, and went off and built his own Quaker meeting house a little further away on the corner of his property. The Taylor Family kept this wooden building as a meeting house for a number of generations. Interestingly, the Quaker family allowed Bishop Francis Asbury, a leader in the founding of Methodism in America, to preach there in 1777. The conversion was surely slower that Bishop Asbury would have liked, but about thirty years later, the worshippers at the wooden building did indeed switch from Quakers to Methodists. In 1853, Elijiah Taylor inherited the property and tore down the log meeting house to build the Methodist chapel that stands today. By 1930, however, regular services had ceased and the building sat vacant until the early 1960s, when a group of volunteers from St. John's of Hamilton United Methodist Church began taking care of it. From parent to child over a number of generations, this group still acts as caretakers of this little known jewel, and opens it up for weddings, baptisms and other events. The building was listed on the National Register of Historic Places in 1983, and still contains the original 1853 frescoes on its walls, among many other original features.

Watch our on this site!

Related Resources

Street Address

6001 Hillen Road, Baltimore, MD 21239
]]>
/items/show/43 <![CDATA[Saint Mary's Seminary on Roland Avenue]]> 2018-11-27T10:33:49-05:00

Dublin Core

Title

Saint Mary's Seminary on Roland Avenue

Subject

Education
Religion

Curatescape Story Item Type Metadata

Story

Founded in 1791, St. Mary's Seminary and University was the first Catholic seminary in the United States. It was granted a civil charter by the State of Maryland in 1805 and in 1822, Pope Pius VII established it as the first seminary in the U.S. to grant ecclesiastical degrees, which it still does to this day. Originally on Paca Street, the seminary moved to its present location on Roland Avenue and Northern Parkway in Roland Park in 1929.

This massive building, designed by Boston architects Maginnis and Walsh, has a classical entrance. Immediately inside stands a statue of Mary, the patroness of the seminary, called Sedes Sapientiae, or Our Lady Seat of Wisdom. The main chapel, fitted in marble and oak, contains a Casavant pipe organ and stained glass windows imported from Paris. Today the seminary is cared for by the Sulpician Fathers and the building still houses seminarians following their calling.

Official Website

Street Address

5400 Roland Avenue, Baltimore, MD 21210
]]>
/items/show/42 <![CDATA[St. Mark's Evangelical Lutheran Church]]> 2019-05-09T21:21:57-04:00

Dublin Core

Title

St. Mark's Evangelical Lutheran Church

Subject

Religion
Architecture
Art and Design

Creator

Johns Hopkins

Curatescape Story Item Type Metadata

Story

There are few places where you can stand in the middle of a room and almost everything you see is made or decorated by Tiffany: glass, paint, finishes, etc. St. Mark's Evangelical Lutheran Church on St. Paul Street, with its entire interior designed by the Tiffany Company of New York, is one of them.

In the 1890's, the St. Mark's congregation engaged architect Joseph Evans Sperry (who would later go on to design Baltimore's Bromo Seltzer Tower, among other notable buildings) to help them build a new church. Sperry came up with a Romanesque design that is known for its heavy stones, arched doors and windows, and short columns. Romanesque design comes from central and western Europe, where many of St. Mark's congregants also traced their lineages. To this day, an Estonian congregation called EELK Baltimore Markuse Kogudus continues to use St. Mark's for worship each month. In 1898, the church was completed and since then has been one of Baltimore's outstanding examples of Romanesque architecture.

On the inside, St. Mark's engaged the Tiffany Glass Decorating Company, under the direction of Rene de Quelen (Tiffany's head artist), to come up with a plan that was equally fitting to the grand architecture. De Quelen used a Byzantine approach, with deep colors, lots of jewels, and many mosaics. Louis Comfort Tiffany, son of Tiffany's founder and then head of the company, had studied art in Paris and had spent time in Spain and North Africa where he learned about this approach to decorating, and is thought to have helped direct de Quelen in his approach. The interior boasts Tiffany windows and Rubio marble inlaid with mother of pearl for the altar, pulpit, and lectern.

Official Website

Street Address

1900 Saint Paul Street, Baltimore, MD 21218
]]>
/items/show/41 <![CDATA[Central Library, Enoch Pratt Free Library]]> 2022-01-15T10:21:29-05:00

Dublin Core

Title

Central Library, Enoch Pratt Free Library

Subject

Literature
Philanthropy
Architecture

Curatescape Story Item Type Metadata

Subtitle

Enoch Pratt's Library for "Rich and Poor"

Story

"My library shall be for all, rich and poor without distinction of race or color, who, when properly accredited, can take out the books if they will handle them carefully and return them."

These were the words of Enoch Pratt in 1882 when he gave a gift of over $1 million to Baltimore City to create a central library and four branches. By 1894, the Pratt Library had the fourth largest collection in the country and one of the most active circulations.

With assistance from Andrew Carnegie, the library system and its branches grew tremendously in the early 1900s, expanding to over 20 neighborhood branches. In 1927, the citizens of Baltimore voted to spend $3 million in city funds to build a new Central Library building.

The construction of the current central library building on Cathedral Street began in 1931 and was completed in 1933. Architect Clyde N. Friz hoped to avoid the old-fashioned institutional character of the past in his design and instead to give the library "a dignity characterized by friendliness rather than aloofness," as Pratt Director Joseph Wheeler stated. The new building allowed the library to form specialized departments, such as "education, philosophy, and religion," "industry and technology," as well as the "popular library," now known as the fiction section.

Although allowing for expansion, the design of the new building retained one of Pratt's steadfast requirements: that there be no stairs leading into the main entrance. This seemingly odd requirement, and one that certainly went against the grain of architectural design for grand civic institutions at the time, was based Pratt's philosophy that the library should be open to all people. Pratt saw grand stairs as an impediment, especially to a growing segment of the reading population: women who may be pushing babies in strollers.

Far before the advent of the Americans with Disabilities Act and its accessibility requirements for public buildings, the main entrance to the library pointedly tell the story of Pratt's vision and commitment to inclusivity.

Watch our on the building!

Official Website

Street Address

400 Cathedral Street, Baltimore, MD 21201
]]>
/items/show/40 <![CDATA[Old Otterbein Church]]>
Old Otterbein got its start in 1771, when a group of Baltimoreans erected a temporary chapel to house the German Evangelical Reformed Church. A few years later, the church hired Philip William Otterbein as pastor. Otterbein had come from Germany to Pennsylvania, and accepted the position in Baltimore as his fifth pastoral duty.

Otterbein apparently took to Baltimore, preaching at the church for 39 years and staying in the city for the rest of his life. Otterbein was a remarkable man. In 1784, he assisted Francis Asbury in founding the Methodist Episcopal Church, and in 1800, he and Martin Boehm helped found the United Brethren in Christ, with Otterbein's church in Baltimore as the cradle of the new denomination.

Members of Baltimore’s German immigrant community played a central role in the defense of Baltimore during the War of 1812 from Peter Gold and George Decker who volunteered as superintendents overseeing the construction of fortifications, Brigadier General John Stricker who commanded the Maryland Militia at the Battle of North Point (and later became Vice-President of the German Society of Maryland), and the Baltimore Jagers and die Union Jagers - two companies of German immigrants commanded in the German language. Many of these men, along with their families, worshipped with Philip William Otterbein at what is now Old Otterbein Church. Otterbein himself died less than a year before the Battle of Baltimore and remains buried in the churchyard with a monument placed over his grave in 1913.

The present church structure was erected in 1785, with the nearby parsonage in 1811 and the city's first German Sunday School in 1827. The interior of the church has been remodeled at various times, but the sanctuary remains the oldest in continuous use in Baltimore.]]>
2018-11-27T10:33:49-05:00

Dublin Core

Title

Old Otterbein Church

Subject

Religion
Architecture
War of 1812

Description

Old Otterbein Church, built in 1785, is one of the oldest churches still standing in Baltimore. With its classic brick and white trim tower (with bells brought over from Germany), the church shows off its landmark stature for countless Orioles fans and anybody traveling around downtown and Camden Yards.

Old Otterbein got its start in 1771, when a group of Baltimoreans erected a temporary chapel to house the German Evangelical Reformed Church. A few years later, the church hired Philip William Otterbein as pastor. Otterbein had come from Germany to Pennsylvania, and accepted the position in Baltimore as his fifth pastoral duty.

Otterbein apparently took to Baltimore, preaching at the church for 39 years and staying in the city for the rest of his life. Otterbein was a remarkable man. In 1784, he assisted Francis Asbury in founding the Methodist Episcopal Church, and in 1800, he and Martin Boehm helped found the United Brethren in Christ, with Otterbein's church in Baltimore as the cradle of the new denomination.

Members of Baltimore’s German immigrant community played a central role in the defense of Baltimore during the War of 1812 from Peter Gold and George Decker who volunteered as superintendents overseeing the construction of fortifications, Brigadier General John Stricker who commanded the Maryland Militia at the Battle of North Point (and later became Vice-President of the German Society of Maryland), and the Baltimore Jagers and die Union Jagers - two companies of German immigrants commanded in the German language. Many of these men, along with their families, worshipped with Philip William Otterbein at what is now Old Otterbein Church. Otterbein himself died less than a year before the Battle of Baltimore and remains buried in the churchyard with a monument placed over his grave in 1913.

The present church structure was erected in 1785, with the nearby parsonage in 1811 and the city's first German Sunday School in 1827. The interior of the church has been remodeled at various times, but the sanctuary remains the oldest in continuous use in Baltimore.

Creator

Johns Hopkins

Curatescape Story Item Type Metadata

Story

Old Otterbein Church, built in 1785, is one of the oldest churches still standing in Baltimore. With its classic brick and white trim tower (with bells brought over from Germany), the church shows off its landmark stature for countless Orioles fans and anybody traveling around downtown and Camden Yards.

Old Otterbein got its start in 1771, when a group of Baltimoreans erected a temporary chapel to house the German Evangelical Reformed Church. A few years later, the church hired Philip William Otterbein as pastor. Otterbein had come from Germany to Pennsylvania, and accepted the position in Baltimore as his fifth pastoral duty.

Otterbein apparently took to Baltimore, preaching at the church for 39 years and staying in the city for the rest of his life. Otterbein was a remarkable man. In 1784, he assisted Francis Asbury in founding the Methodist Episcopal Church, and in 1800, he and Martin Boehm helped found the United Brethren in Christ, with Otterbein's church in Baltimore as the cradle of the new denomination.

Members of Baltimore’s German immigrant community played a central role in the defense of Baltimore during the War of 1812 from Peter Gold and George Decker who volunteered as superintendents overseeing the construction of fortifications, Brigadier General John Stricker who commanded the Maryland Militia at the Battle of North Point (and later became Vice-President of the German Society of Maryland), and the Baltimore Jagers and die Union Jagers - two companies of German immigrants commanded in the German language. Many of these men, along with their families, worshipped with Philip William Otterbein at what is now Old Otterbein Church. Otterbein himself died less than a year before the Battle of Baltimore and remains buried in the churchyard with a monument placed over his grave in 1913.

The present church structure was erected in 1785, with the nearby parsonage in 1811 and the city's first German Sunday School in 1827. The interior of the church has been remodeled at various times, but the sanctuary remains the oldest in continuous use in Baltimore.

Official Website

Street Address

112 W. Conway Street, Baltimore, MD 21201
]]>
/items/show/39 <![CDATA[Mount Vernon Mill No. 1]]> 2019-07-20T12:57:05-04:00

Dublin Core

Title

Mount Vernon Mill No. 1

Subject

Industry
Historic Preservation

Creator

Kyle Fisher

Curatescape Story Item Type Metadata

Subtitle

At the heart of textile manufacturing along the Jones Falls

Story

Mill No. 1 sits on the site of Laurel Mill, a late 18th-century flour mill originally owned by prominent businessman and abolitionist Elisha Tyson. In 1849, the newly chartered Mount Vernon Company built a textile mill on the site. Mill No. 1 stood at the threshold of a burgeoning textile empire that would control most of the world’s cotton duck production, a heavy canvas used primarily for ship sails.

The textile mill and neighboring village Stone Hill shared a close relationship well into the 20th century. Residents renting company-owned housing in Stone Hill were required to be employed in the mill to live there. The mill's bell called workers to the factory floor for their twelve hour shifts. Mill boss David Carroll lived in a mansion at the top of the hill overlooking the village and mill his wealth built. The extant mansion later became the Florence Crittenton Home.

In the mid-1800s, about 400 men, women and children—some as young as eight years old—worked in and lived next to the mills. The company expanded in 1853 with the construction of Mill No. 3 across the street. In 1855, the Mt. Vernon Company controlled six mills in the Jones Falls Valley from Mt. Washington to Remington, and established adjoining villages that would grow into the neighborhoods of Hampden and Woodberry. When Mill No. 1 burned in 1873, it was replaced with the larger factory that stands on this site today. Inside the mills, the cotton looms made a lot of noise, and dust from the cotton was always in the air. Excess cotton had to be swept off the floor and cleaned off the looms to prevent fire. Workers heard the constant loud humming of the looms and breathed in the cotton dust. An entire paycheck could go to rent for the company houses and toward groceries purchased from the company store.

In 1899, area mills merged to form the Mount Vernon-Woodberry Cotton Duck Company, at the time the world’s foremost manufacturer of cotton duck, with mills from South Carolina to Connecticut, and a board of directors based out of New York City. By 1915, the Mt. Vernon-Woodberry Cotton Duck Company broke apart and was reformed as Mt. Vernon-Woodberry Mills, which controlled mills in Hampden and Woodberry, South Carolina, and Alabama, and employed about 2,200 workers locally. Production boomed during World War I and workers leveraged demand to gain a 10 percent wage increase, a reduced 55 hour work week, and cleaner facilities.

Demand for cotton duck dropped immediately after the war, and management cut wages by one-third and increased hours. Tensions within the company culminated in a 1923 strike, when 600 workers voted to reject the offer of a 54-hour work week and 7.5 percent pay increase and demanded a 48-hour work week with a 25 percent pay increase. Despite support from local clergy and the Textile Workers Union of America, the workers were forced by necessity to return to the mills. The company began to sell off its housing and move its operations to Alabama and South Carolina where labor was cheaper and less organized. During the Great Depression, many mill workers were laid off. Many went on welfare. Others, however, refused to go on welfare, and searched for additional jobs to support themselves. At this time most workers made between five and seven dollars per week and worked ten hours a day.

World War II created new demand for canvas. Tarps, rope, netting, mailbags, tents, and stuffing (made from cotton bits called ‘shoddy’) were all in demand from the military. Synthetic fabrics, which required bricking up the mill's windows to control humidity levels, emerged as new products. Many people from the South came to work in the mills at this time. After the war, production declined, never to regain its earlier levels. The Mount Vernon Company finally closed its Baltimore mills and moved all operations to North Carolina in 1972.

Some industry persisted in the mill buildings. Life-Like Products, a maker of model train sets and styrofoam coolers, was one. The international textile firm Rockland Industries, with origins upstream, used Mill No. 3 to store its textile supply after the Mount Vernon Company left. In 2013, Mill No. 1 was redeveloped by developer Terra Nova Ventures and now includes apartments, office space, a restaurant, and an event venue. Although they no longer function as mills, these buildings continue to serve as places of housing, food, and work within Hampden.

Official Website

Street Address

2980 Falls Road, Baltimore, MD 21211
]]>
/items/show/38 <![CDATA[Mother Seton House]]> 2018-11-27T10:33:49-05:00

Dublin Core

Title

Mother Seton House

Subject

Religion
Architecture

Creator

Johns Hopkins

Curatescape Story Item Type Metadata

Story

On June 16, 1808, Elizabeth Bayley Seton arrived at St. Mary's Seminary in Baltimore on the same day that Bishop John Carroll, the first bishop in the Unites States, dedicated the seminary's newly built chapel. Elizabeth came to Baltimore from New York to set up a boarding school for girls. During her one-year stay in what is now the Mother Seton House, she took the vows of a Daughter of Charity, thus cementing her conversion and commitment to Catholicism. Following her start in Baltimore, Mother Seton, as Bishop Carroll dubbed her, went on to found Saint Joseph's Academy and Free School in Emmitsburg, Maryland, the first free school for girls in America, and the Sisters of Charity of St. Joseph, the first apostolic community of women in the United States.

The St. Mary's Spiritual Center, as the location is now called, is also the original home of St. Mary's Seminary, the first seminary in America. The seminary has trained a number of notables, including: Mother Mary Elizabeth Lange, a Haitian immigrant who founded the Oblate Sisters of Providence (the first African American Catholic community) and St. Francis High School; Father Gabriel Richard, who is called "The Second Founder of Detroit"; and Father Michael McGivney, who went on to found the Knights of Columbus in Connecticut.

Official Website

Street Address

600 N. Paca Street, Baltimore, MD 21201
]]>
/items/show/37 <![CDATA[Lovely Lane United Methodist Church]]>
In 1784, English Methodism founder John Wesley reluctantly agreed that Methodists in the newly formed United States of America could organize their own church. Francis Asbury was chosen to become the first General Superintendent by consecration at Barratt's Chapel in Delaware, but he demurred until a majority of Methodist preachers in the country would elect him. After a six-week, 1200 mile campaign up and down the east coast, Asbury was consecrated at Lovely Lane Meeting House in Baltimore later that year. The meeting then occupied a small structure at what is now Redwood and Calvert Streets, and relocated to Light Street in 1786. This site now contains the Merchant's Club building that houses the Baltimore Culinary Institute.

Nearly a hundred years later, in 1883, the church's pastor, Dr. John F. Goucher, hired Stanford White, the famous Victorian architect, to build a new church as a centennial monument to the founding of Methodism. The present building at 22nd and St. Paul Streets was completed and dedicated in November 1887.

After experiencing hard times in the 1960s and 1970s as much of its congregation moved away from the area, the congregation began restoration work in earnest in 1984 on the 200th anniversary of the founding of Methodism here in Baltimore. The work included refurbishing the extraordinary domed ceiling that depicts the morning sky with the stars and planets as they were at 3:00 am, November 6, 1887 the date on which the church was dedicated.]]>
2021-02-22T09:49:23-05:00

Dublin Core

Title

Lovely Lane United Methodist Church

Subject

Religion
Architecture
Education

Description

In 1784 during the "Christmas Conference" at the Lovely Lane Meeting House in Baltimore, American Methodist was born. Surprisingly, this predated the organization of the Methodist community in England where it originated.

In 1784, English Methodism founder John Wesley reluctantly agreed that Methodists in the newly formed United States of America could organize their own church. Francis Asbury was chosen to become the first General Superintendent by consecration at Barratt's Chapel in Delaware, but he demurred until a majority of Methodist preachers in the country would elect him. After a six-week, 1200 mile campaign up and down the east coast, Asbury was consecrated at Lovely Lane Meeting House in Baltimore later that year. The meeting then occupied a small structure at what is now Redwood and Calvert Streets, and relocated to Light Street in 1786. This site now contains the Merchant's Club building that houses the Baltimore Culinary Institute.

Nearly a hundred years later, in 1883, the church's pastor, Dr. John F. Goucher, hired Stanford White, the famous Victorian architect, to build a new church as a centennial monument to the founding of Methodism. The present building at 22nd and St. Paul Streets was completed and dedicated in November 1887.

After experiencing hard times in the 1960s and 1970s as much of its congregation moved away from the area, the congregation began restoration work in earnest in 1984 on the 200th anniversary of the founding of Methodism here in Baltimore. The work included refurbishing the extraordinary domed ceiling that depicts the morning sky with the stars and planets as they were at 3:00 am, November 6, 1887 the date on which the church was dedicated.

Creator

Johns Hopkins

Curatescape Story Item Type Metadata

Story

In 1784 during the "Christmas Conference" at the Lovely Lane Meeting House in Baltimore, American Methodist was born. Surprisingly, this predated the organization of the Methodist community in England where it originated. In 1784, English Methodism founder John Wesley reluctantly agreed that Methodists in the newly formed United States of America could organize their own church. Francis Asbury was chosen to become the first General Superintendent by consecration at Barratt's Chapel in Delaware, but he demurred until a majority of Methodist preachers in the country would elect him. After a six-week, 1200 mile campaign up and down the east coast, Asbury was consecrated at Lovely Lane Meeting House in Baltimore later that year. The meeting then occupied a small structure at what is now Redwood and Calvert Streets, and relocated to Light Street in 1786. This site now contains the Merchant's Club building that houses the Baltimore Culinary Institute. Nearly a hundred years later, in 1883, the church's pastor, Dr. John F. Goucher, hired Stanford White, the famous Victorian architect, to build a new church as a centennial monument to the founding of Methodism. The present building at 22nd and St. Paul Streets was completed and dedicated in November 1887. After experiencing hard times in the 1960s and 1970s as much of its congregation moved away from the area, the congregation began restoration work in earnest in 1984 on the 200th anniversary of the founding of Methodism here in Baltimore. The work included refurbishing the extraordinary domed ceiling that depicts the morning sky with the stars and planets as they were at 3:00 am, November 6, 1887 the date on which the church was dedicated.

Watch on this site!

Official Website

Street Address

2200 Saint Paul Street, Baltimore, MD 21218
]]>
/items/show/36 <![CDATA[Lloyd Street Synagogue]]>
In building the synagogue, the Baltimore Hebrew Congregation commissioned noted Baltimore architect Robert Cary Long, Jr. Long chose a Greek Revival style. Architect William H. Reasin expanded the building in 1861, maintaining the original façade and the classical style of the sanctuary. The building was home to the Baltimore Hebrew Congregation from its beginning through 1889, when it transitioned into a catholic church. St. John the Baptist Roman Catholic Church, one of the first Lithuanian "ethnic" parishes in the United States, owned and worshiped there through 1905.

In another flip, Shomrei Mishmeres HaKodesh, one of the leading Orthodox Jewish congregations of the Eastern European immigrant community, bought the building in 1905 from the Catholic church. The new congregation occupied the building until the early 1960s, when it moved out. The vacant building was threatened with demolition at that time and the Jewish Museum of Maryland was formed to purchase and care for this historic landmark. In 2008, the Museum began an ambitious $1 million restoration project with the help of the national Save America's Treasure's Program. The work restored the building to its 1864 appearance and created a multimedia exhibit, The Building Speaks, to interpret this history. The work also won a Historic Preservation Award from 91Ƶ in 2009.]]>
2018-11-27T10:33:49-05:00

Dublin Core

Title

Lloyd Street Synagogue

Subject

Religion
Museums
Historic Preservation

Description

Built in 1845 at the center of what was a thriving Jewish community in East Baltimore, the Lloyd Street Synagogue was the first synagogue erected in Maryland and today is the third-oldest standing synagogue in the country.

In building the synagogue, the Baltimore Hebrew Congregation commissioned noted Baltimore architect Robert Cary Long, Jr. Long chose a Greek Revival style. Architect William H. Reasin expanded the building in 1861, maintaining the original façade and the classical style of the sanctuary. The building was home to the Baltimore Hebrew Congregation from its beginning through 1889, when it transitioned into a catholic church. St. John the Baptist Roman Catholic Church, one of the first Lithuanian "ethnic" parishes in the United States, owned and worshiped there through 1905.

In another flip, Shomrei Mishmeres HaKodesh, one of the leading Orthodox Jewish congregations of the Eastern European immigrant community, bought the building in 1905 from the Catholic church. The new congregation occupied the building until the early 1960s, when it moved out. The vacant building was threatened with demolition at that time and the Jewish Museum of Maryland was formed to purchase and care for this historic landmark. In 2008, the Museum began an ambitious $1 million restoration project with the help of the national Save America's Treasure's Program. The work restored the building to its 1864 appearance and created a multimedia exhibit, The Building Speaks, to interpret this history. The work also won a Historic Preservation Award from 91Ƶ in 2009.

Curatescape Story Item Type Metadata

Story

Built in 1845 at the center of what was a thriving Jewish community in East Baltimore, the Lloyd Street Synagogue was the first synagogue erected in Maryland and today is the third-oldest standing synagogue in the country.

In building the synagogue, the Baltimore Hebrew Congregation commissioned noted Baltimore architect Robert Cary Long, Jr. Long chose a Greek Revival style. Architect William H. Reasin expanded the building in 1861, maintaining the original façade and the classical style of the sanctuary. The building was home to the Baltimore Hebrew Congregation from its beginning through 1889, when it transitioned into a catholic church. St. John the Baptist Roman Catholic Church, one of the first Lithuanian "ethnic" parishes in the United States, owned and worshiped there through 1905.

In another flip, Shomrei Mishmeres HaKodesh, one of the leading Orthodox Jewish congregations of the Eastern European immigrant community, bought the building in 1905 from the Catholic church. The new congregation occupied the building until the early 1960s, when it moved out. The vacant building was threatened with demolition at that time and the Jewish Museum of Maryland was formed to purchase and care for this historic landmark. In 2008, the Museum began an ambitious $1 million restoration project with the help of the national Save America's Treasure's Program. The work restored the building to its 1864 appearance and created a multimedia exhibit, The Building Speaks, to interpret this history. The work also won a Historic Preservation Award from 91Ƶ in 2009.

Official Website

Street Address

11 Lloyd Street, Baltimore, MD 21202
]]>
/items/show/35 <![CDATA[Irish Railroad Workers Museum]]>
These houses were built by By September, 1849, all the houses had been sold to individuals of Irish descent, most of whom worked for the nearby Baltimore & Ohio Railroad. People like Thomas McNew, a watchman at the B & O Depot; Thomas Medcalfe, a fireman; and Dennis McFadden and Cornelius McLaughlin, laborers (who paid $400 for their new six room homes).

The Irish Shrine consists of two renovated alley houses in 900 block of Lemmon Street that were built by carpenter Charles Shipley on land leased to him by John Howard McHenry, a grandson of Col. John Eager Howard. By September 1849, all the houses had been sold to Irish households, including many who worked for the B&O Railroad -- Thomas McNew, a watchman; Thomas Medcalfe, a fireman; and Dennis McFadden and Cornelius McLaughlin, laborers.

One of the houses is furnished as a period house museum, reflecting the lives of the Irish-immigrant family that lived there in the 1860s. The other house offers exhibits on Irish-American history and local neighborhood life. With a lot of hard work and a lengthy law suit, a number of dedicated Baltimoreans founded the Irish Shrine in 1997 to save the buildings from proposed demolition.]]>
2022-12-05T09:15:43-05:00

Dublin Core

Title

Irish Railroad Workers Museum

Subject

Immigration
Industry
Neighborhoods
Museums
Historic Preservation

Description

Small in size but still nationally significant, Baltimore's Irish Shrine at Lemmon Street offers a rare glimpse of immigrant home life in America in the middle of the 19th century. An avalanche of Irish immigrants hit Baltimore in the 1840s and1850s, many escaping Ireland's Great Hunger Famine of 1845-1853. Many of these immigrants settled in southwest Baltimore and promptly went to work for the vibrant Baltimore & Ohio Railroad. The B&O had located in the countryside that was then West Baltimore in 1827 and quickly built a roundhouse, station, shops, and other buildings in the years that followed. All of this construction required human labor, as did the operation of the railroad itself, and Irish immigrants came to fill the need.

These houses were built by By September, 1849, all the houses had been sold to individuals of Irish descent, most of whom worked for the nearby Baltimore & Ohio Railroad. People like Thomas McNew, a watchman at the B & O Depot; Thomas Medcalfe, a fireman; and Dennis McFadden and Cornelius McLaughlin, laborers (who paid $400 for their new six room homes).

The Irish Shrine consists of two renovated alley houses in 900 block of Lemmon Street that were built by carpenter Charles Shipley on land leased to him by John Howard McHenry, a grandson of Col. John Eager Howard. By September 1849, all the houses had been sold to Irish households, including many who worked for the B&O Railroad -- Thomas McNew, a watchman; Thomas Medcalfe, a fireman; and Dennis McFadden and Cornelius McLaughlin, laborers.

One of the houses is furnished as a period house museum, reflecting the lives of the Irish-immigrant family that lived there in the 1860s. The other house offers exhibits on Irish-American history and local neighborhood life. With a lot of hard work and a lengthy law suit, a number of dedicated Baltimoreans founded the Irish Shrine in 1997 to save the buildings from proposed demolition.

Creator

Johns Hopkins

Curatescape Story Item Type Metadata

Subtitle

Labor and Immigration at 918 and 920 Lemmon Street

Lede

Small in size but featuring a nationally significant story, Baltimore's Irish Railroad Workers Museum on Lemmon Street offers a rare glimpse of immigrant home life in America in the middle of the 19th century.

Story

An avalanche of Irish immigrants hit Baltimore in the 1840s and1850s, many escaping Ireland's Great Hunger Famine of 1845-1853. Many of these immigrants settled in southwest Baltimore and promptly went to work for the vibrant Baltimore & Ohio Railroad. The B&O had located in the countryside that was then West Baltimore in 1827 and quickly built a roundhouse, station, shops, and other buildings in the years that followed. All of this construction required human labor, as did the operation of the railroad itself, and Irish immigrants came to fill the need. The Irish Shrine consists of two renovated alley houses in 900 block of Lemmon Street that were built by carpenter Charles Shipley on land leased to him by John Howard McHenry, a grandson of Col. John Eager Howard. By September 1849, all the houses had been sold to Irish households, including many who worked for the B&O Railroad — Thomas McNew, a watchman; Thomas Medcalfe, a fireman; and Dennis McFadden and Cornelius McLaughlin, laborers. One of the houses is furnished as a period house museum, reflecting the lives of the Irish-immigrant family that lived there in the 1860s. The other house offers exhibits on Irish-American history and local neighborhood life. With a lot of hard work and a lengthy law suit, a number of dedicated Baltimoreans founded the Irish Shrine (now the Irish Railroad Workers Museum) in 1997 to save the buildings from proposed demolition.

Watch our on this museum!

Official Website

Street Address

920 Lemmon Street, Baltimore, MD 21223

Access Information

The museum is open for visitors Friday and Saturday from 11:00am-2:00pm, and Sunday from 1:00pm-4:00pm.
]]>
/items/show/34 <![CDATA[Homewood House]]>
The house is noted as one of the best examples of Federal style architecture in the country. Built on a Palladian-inspired five-part plan, Homewood is renowned for its elegant proportions, fine workmanship and materials, and the extravagant detail in all aspects of its construction, from the intricately carved wooden fireplace surrounds, doorways, and chair rails, to the marble painted baseboards and mahogany grained doors and the ornate plaster ceiling ornaments. Johns Hopkins University acquired the building, which gave rise to the "Homewood Campus" name, in 1902 and opened it as a museum in 1987.]]>
2018-11-27T10:33:49-05:00

Dublin Core

Title

Homewood House

Subject

Architecture
Art and Design
Museums

Description

In 1800, Charles Carroll of Carrollton (the only Catholic signer of the Declaration of Independence and the wealthiest signer to boot) decided to give his son (also Charles) and bride, Harriet Chew, a nice present: a country estate just north of the city. Taking his father's money but not his advice to renovate an existing farm house, the younger Charles and Harriet commissioned Homewood House. No expense was spared, and at a price tag of $40,000 (a fortune at the time), Homewood became a show place for the elite young couple.

The house is noted as one of the best examples of Federal style architecture in the country. Built on a Palladian-inspired five-part plan, Homewood is renowned for its elegant proportions, fine workmanship and materials, and the extravagant detail in all aspects of its construction, from the intricately carved wooden fireplace surrounds, doorways, and chair rails, to the marble painted baseboards and mahogany grained doors and the ornate plaster ceiling ornaments. Johns Hopkins University acquired the building, which gave rise to the "Homewood Campus" name, in 1902 and opened it as a museum in 1987.

Creator

Johns Hopkins

Curatescape Story Item Type Metadata

Story

In 1800, Charles Carroll of Carrollton (the only Catholic signer of the Declaration of Independence and the wealthiest signer to boot) decided to give his son (also Charles) and bride, Harriet Chew, a nice present: a country estate just north of the city. Taking his father's money but not his advice to renovate an existing farm house, the younger Charles and Harriet commissioned Homewood House. No expense was spared, and at a price tag of $40,000 (a fortune at the time), Homewood became a show place for the elite young couple.

The house is noted as one of the best examples of Federal style architecture in the country. Built on a Palladian-inspired five-part plan, Homewood is renowned for its elegant proportions, fine workmanship and materials, and the extravagant detail in all aspects of its construction, from the intricately carved wooden fireplace surrounds, doorways, and chair rails, to the marble painted baseboards and mahogany grained doors and the ornate plaster ceiling ornaments. Johns Hopkins University acquired the building, which gave rise to the "Homewood Campus" name, in 1902 and opened it as a museum in 1987.

Official Website

Street Address

3400 N. Charles Street, Baltimore, MD 21218
]]>
/items/show/33 <![CDATA[Evergreen House]]>
Evergreen House has over 50,000 items from the Garretts, including drawings by Degas and Picasso and the world's largest collection of Tiffany glass pieces. The building's rare book library was designed by noted Baltimore architect Lawrence Hall Fowler, and contains 8,000 volumes that include original works by Shakespeare and Audubon, as well as the signatures of every signer of the Declaration of Independence. The mansion even has its own theater, which is elaborately decorated by the Russian designer Leon Baskt and is the only known theater to retain original sets by him. In 1942, the mansion and surrounding 26 acres of landscaped lawns and gardens were deeded to The Johns Hopkins University, under whose care they remain today.]]>
2018-11-27T10:33:49-05:00

Dublin Core

Title

Evergreen House

Subject

Architecture
Art and Design
Museums

Description

With 48 rooms, a soaring portico, and a Tiffany designed glass canopy, Evergreen House stands out as one of Baltimore's best Gilded Age mansions. The house was originally built in 1857 by the Broadbent Family. John Work Garrett, president of the B&O Railroad and a burgeoning railroad tycoon, purchased the mansion 19 years later (in 1878) for his son T. Harrison Garrett. (Incidentally, five years before this, John Work Garrett purchased the Garrett Jacobs Mansion on Mount Vernon Place for his other son, Robert). The Mansion was expanded in the 1880s and again in the 1920s by two generations of Garrett family members.

Evergreen House has over 50,000 items from the Garretts, including drawings by Degas and Picasso and the world's largest collection of Tiffany glass pieces. The building's rare book library was designed by noted Baltimore architect Lawrence Hall Fowler, and contains 8,000 volumes that include original works by Shakespeare and Audubon, as well as the signatures of every signer of the Declaration of Independence. The mansion even has its own theater, which is elaborately decorated by the Russian designer Leon Baskt and is the only known theater to retain original sets by him. In 1942, the mansion and surrounding 26 acres of landscaped lawns and gardens were deeded to The Johns Hopkins University, under whose care they remain today.

Creator

Johns Hopkins

Curatescape Story Item Type Metadata

Story

With 48 rooms, a soaring portico, and a Tiffany designed glass canopy, Evergreen House stands out as one of Baltimore's best Gilded Age mansions. The house was originally built in 1857 by the Broadbent Family. John Work Garrett, president of the B&O Railroad and a burgeoning railroad tycoon, purchased the mansion 19 years later (in 1878) for his son T. Harrison Garrett. (Incidentally, five years before this, John Work Garrett purchased the Garrett Jacobs Mansion on Mount Vernon Place for his other son, Robert). The Mansion was expanded in the 1880s and again in the 1920s by two generations of Garrett family members.

Evergreen House has over 50,000 items from the Garretts, including drawings by Degas and Picasso and the world's largest collection of Tiffany glass pieces. The building's rare book library was designed by noted Baltimore architect Lawrence Hall Fowler, and contains 8,000 volumes that include original works by Shakespeare and Audubon, as well as the signatures of every signer of the Declaration of Independence. The mansion even has its own theater, which is elaborately decorated by the Russian designer Leon Baskt and is the only known theater to retain original sets by him. In 1942, the mansion and surrounding 26 acres of landscaped lawns and gardens were deeded to The Johns Hopkins University, under whose care they remain today.

Official Website

Street Address

4545 N. Charles Street, Baltimore, MD 21210
]]>
/items/show/32 <![CDATA[Enoch Pratt House]]> 2018-11-27T10:33:49-05:00

Dublin Core

Title

Enoch Pratt House

Subject

Philanthropy
Architecture
Museums

Creator

Johns Hopkins

Curatescape Story Item Type Metadata

Story

Enoch Pratt was a wealthy Baltimore merchant and major benefactor of many Baltimore institutions, including the First Unitarian Church of Baltimore, the Sheppard Pratt Hospital, and of course the Enoch Pratt Free Library. He began to build a mansion for himself and his wife at Monument Street and Park Avenue in 1844. Coincidentally, this is the same year that the Maryland Historical Society was founded, an institution that years later would acquire the building for its collections.

Enoch Pratt was a prosperous hardware merchant, railway and steamship owner, and banker, and originally his new house was three-stories with a basement. In 1868, notable Baltimore architect Edmund G. Lind added a fourth floor, probably in order to keep Pratt in step with the "Mansard" roof trend in Victorian architecture. A new marble portico also was added at the time. The portico had been commissioned by the Clerk of the United States House of Representatives for a mansion in Washington that he ultimately could not afford to build, and Pratt gladly took it off the designers' hands and attached it to his Monument Street residence.

Pratt died in 1896 without any children. He was survived by his wife, who remained in the house until her death in 1911. Soon thereafter, Mary Ann (Washington) Keyser purchased the building for use by the Maryland Historical Society, which has owned the building since 1919.

Official Website

Street Address

201 W. Monument Street, Baltimore, MD 21201
]]>
/items/show/31 <![CDATA[Cylburn Arboretum]]>
Not surprisingly, Jesse Tyson died before his "fair" wife. Ms. Johns continued to live in the house until her death in 1942 when Baltimore City purchased the estate for $42,300. In 1954, the property became the "Cylburn Wildflower Preserve and Garden Center," and a group of volunteers designed trails and gardens for the park. The named officially changed to "Cylburn Arboretum" in 1984, and the property now covers over 200 acres of grounds dotted with horticultural and historic sites.]]>
2020-10-16T14:38:12-04:00

Dublin Core

Title

Cylburn Arboretum

Subject

Parks and Landscapes
Architecture

Description

With a Civil-War era mansion and a brand new visitor's center, Cylburn Arboretum is bustling with history and energy. Cylburn began as the private estate of Jesse Tyson, president of the Baltimore Chrome Works Company and a successful businessman. Tyson began building the mansion in 1863 as a summer home for himself and his mother. He completed it in 1888 at the age of 61 and after marrying the 19 year old debutante, Edyth Johns. Tyson is said to have remarked at this time, ""I have the fairest wife, the fastest horses, and the finest house in Maryland." With its Italianate design, stone from Tyson's own Bare Hills quarry in Baltimore County, and an interior of hardwood floors, grand fireplaces, and ornate plasterwork, Mr. Tyson was at least correct about the quality of his house.

Not surprisingly, Jesse Tyson died before his "fair" wife. Ms. Johns continued to live in the house until her death in 1942 when Baltimore City purchased the estate for $42,300. In 1954, the property became the "Cylburn Wildflower Preserve and Garden Center," and a group of volunteers designed trails and gardens for the park. The named officially changed to "Cylburn Arboretum" in 1984, and the property now covers over 200 acres of grounds dotted with horticultural and historic sites.

Creator

Johns Hopkins

Curatescape Story Item Type Metadata

Story

With a Civil-War era mansion and a brand new visitor's center, Cylburn Arboretum is bustling with history and energy. Cylburn began as the private estate of Jesse Tyson, president of the Baltimore Chrome Works Company and a successful businessman. Tyson began building the mansion in 1863 as a summer home for himself and his mother. He completed it in 1888 at the age of 61 and after marrying the 19 year old debutante, Edyth Johns. Tyson is said to have remarked at this time, ""I have the fairest wife, the fastest horses, and the finest house in Maryland." With its Italianate design, stone from Tyson's own Bare Hills quarry in Baltimore County, and an interior of hardwood floors, grand fireplaces, and ornate plasterwork, Mr. Tyson was at least correct about the quality of his house. Not surprisingly, Jesse Tyson died before his "fair" wife. Ms. Johns continued to live in the house until her death in 1942 when Baltimore City purchased the estate for $42,300. In 1954, the property became the "Cylburn Wildflower Preserve and Garden Center," and a group of volunteers designed trails and gardens for the park. The named officially changed to "Cylburn Arboretum" in 1984, and the property now covers over 200 acres of grounds dotted with horticultural and historic sites.

Watch our on Cylburn Mansion!

Official Website

Street Address

4915 Greenspring Avenue, Baltimore, MD 21209
]]>
/items/show/30 <![CDATA[Crimea Estate at Leakin Park]]>
An early, and now often overlooked, part of the estate is called Winans Meadow in Leakin Park. This current meadow was the site of an early milling operation along the Gwynns Falls River. An iron water wheel still remains that pumped water to the Orianda mansion. Along with the water wheel, a barn, silo, smokehouse, and root cellar also tell the story of early development in West Baltimore. There is even an intriguing battlement near the meadow that is thought to be modeled after the Battle of Balaklava where the Russian stand against the British was immortalized in Alfred Lord Tennyson's poem "The Charge of the Light Brigade."

Although Leakin Park has retained its original structures in a picturesque natural setting, it almost wasn't so. In the 1970s, federal and city officials planned to route Interstate 70 through the park in front of the mansion and directly through the carriage house. Saved by a group of dedicated Baltimoreans, the estate remains a central element in Leakin Park.]]>
2020-10-21T10:20:46-04:00

Dublin Core

Title

Crimea Estate at Leakin Park

Subject

Environment
Architecture
Industry

Description

The Crimea Estate is the former summer home of Thomas DeKay Winans, a chief engineer of the Russian Railway between Moscow and St. Petersburg in the 19th Century. The estate features Winans' Italianate stone mansion, Orianda, as well as a gothic chapel, a "honeymoon" cottage, and a carriage house. The architectural design is said to have been inspired by Winans' French-Russian wife, Celeste Louise Revillon.

An early, and now often overlooked, part of the estate is called Winans Meadow in Leakin Park. This current meadow was the site of an early milling operation along the Gwynns Falls River. An iron water wheel still remains that pumped water to the Orianda mansion. Along with the water wheel, a barn, silo, smokehouse, and root cellar also tell the story of early development in West Baltimore. There is even an intriguing battlement near the meadow that is thought to be modeled after the Battle of Balaklava where the Russian stand against the British was immortalized in Alfred Lord Tennyson's poem "The Charge of the Light Brigade."

Although Leakin Park has retained its original structures in a picturesque natural setting, it almost wasn't so. In the 1970s, federal and city officials planned to route Interstate 70 through the park in front of the mansion and directly through the carriage house. Saved by a group of dedicated Baltimoreans, the estate remains a central element in Leakin Park.

Creator

Johns Hopkins

Curatescape Story Item Type Metadata

Story

The Crimea Estate is the former summer home of Thomas DeKay Winans, a chief engineer of the Russian Railway between Moscow and St. Petersburg in the 19th Century. The estate features Winans' Italianate stone mansion, Orianda, as well as a gothic chapel, a "honeymoon" cottage, and a carriage house. The architectural design is said to have been inspired by Winans' French-Russian wife, Celeste Louise Revillon. An early, and now often overlooked, part of the estate is called Winans Meadow in Leakin Park. This current meadow was the site of an early milling operation along the Gwynns Falls River. An iron water wheel still remains that pumped water to the Orianda mansion. Along with the water wheel, a barn, silo, smokehouse, and root cellar also tell the story of early development in West Baltimore. There is even an intriguing battlement near the meadow that is thought to be modeled after the Battle of Balaklava where the Russian stand against the British was immortalized in Alfred Lord Tennyson's poem "The Charge of the Light Brigade." Although Leakin Park has retained its original structures in a picturesque natural setting, it almost wasn't so. In the 1970s, federal and city officials planned to route Interstate 70 through the park in front of the mansion and directly through the carriage house. Saved by a group of dedicated Baltimoreans, the estate remains a central element in Leakin Park.

Watch our on the water wheel!

Watch on Leakin Park!

Official Website

Street Address

1901 Eagle Drive, Baltimore, Maryland 21207
]]>
/items/show/29 <![CDATA[Poole & Hunt Foundry and Machine Works]]> 2021-04-06T22:35:28-04:00

Dublin Core

Title

Poole & Hunt Foundry and Machine Works

Subject

Industry
Historic Preservation

Creator

Nathan Dennies

Curatescape Story Item Type Metadata

Subtitle

Industry and Adaptive Reuse at Clipper Mill

Story

At its peak in the late nineteenth century, the Poole & Hunt Foundry and Machine Works employed over 700 people, making it one of the largest employers in the Jones Falls Valley after the textile mills. The company manufactured an impressive array of machinery: turbines, boilers and looms for the mills, screwpile lighthouses, railroad machinery, and transmission equipment for cable cars. Perhaps their greatest contribution was to the construction of the United States Capitol Building, to which the company manufactured the structural elements of the dome and cast the columns of its peristyle, made structural elements for the House and Senate wings, and built the derricks, steam engines, and lifting equipment that made the construction of the Capitol possible.

Robert Poole emigrated as a child from what is now Northern Ireland to Baltimore in the 1820s. When he was old enough to work, he found employment at the machine shop of Lanvale Cotton Mill (located near where Penn Station is today) and later worked at Savage Mill. In the 1830s, Poole worked for Ross Winans, the millionaire engineer for the Baltimore & Ohio Railroad. Through these early jobs, Poole gained experience working on machinery for mills and the railroad—two key markets for the company he would later form.

By the late 1840s, Poole was running his own shop in downtown Baltimore with partner William Ferguson. After Ferguson retired in 1851, German Hunt, an executive at the firm, became a partner. The shop burned in 1853 and the company relocated to Woodberry along the Northern Central Railway and near the prospering textile mills. Poole oversaw the shop while Hunt handled the business side downtown. By 1890, the complex included a massive 80 foot high erecting shop, signaling the impressive scale of machinery being manufactured by the company.

In 1854, Captain Montgomery Meigs, a US Army Corps of Engineers official in charge of the US Capitol extension project, commissioned Poole & Hunt to build steam engines and derricks for the construction of the Capitol Building, along with structural ironwork for the roof. Within a year, Meigs offered Poole & Hunt the opportunity to bid on work for the columns of the Capitol dome. The firm won with an extremely low bid, 2/10s of a cent per pound. Poole & Hunt continued to work on the columns until 1859 when Meigs was replaced and the contract for the remainder of the columns went to New York foundry Janes, Fowler, Kirtland & Co.

By this point, Poole & Hunt had made a name for themselves. Robert Poole would build his Second Empire mansion "Maple Hill" across the Jones Falls in Hampden overlooking his factory, while German Hunt resided in fashionable Bolton Hill. Poole involved himself in the lives of his workers by funding the construction of housing, churches for multiple denominations, a general store, and a circulating library. The library closed after Poole donated funds to the construction of an Enoch Pratt Free Library branch in Hampden. The company also cast the iron columns for the library, which originally shared the building with the Provident Savings Bank, also controlled by the Poole family. Robert Poole and German Hunt were also involved in establishing the Woman's College of Baltimore, which became Goucher College. German Hunt served on the college's first board of trustees and Poole donated a significant amount of cash to the endeavor.

In addition to overseeing the lives of local residents, Robert Poole and German Hunt maintained close relationships with the textile mill owners. Robert Poole's daughter, Sarah, married James E. Hooper, who would become president of the Mt. Vernon-Woodberry Cotton Company before splitting off and forming Hooperwood Cotton Mills adjacent to Poole's industrial campus.

German Hunt retired from the company in 1889. Poole made his son George partner and renamed the company Robert Poole & Son. The company was now the largest machine shop and foundry in Maryland, employing over 700 workers at its peak. It garnered national acclaim in trade journals for its impressive manufacturing feats. The Leffel Double Turbine, used to power mills, was praised for its efficiency and durability, and became popular with manufacturers across the country. By the 1880s, the company made a name for itself building machinery for cable car powerhouses along the East Coast and in the Midwest. In 1901, the Calumet and Hecla 65' sand wheel manufactured by Poole, the largest of its kind in the world, made the cover of Scientific American, bringing more national attention to the firm.

Robert Poole died in 1903 and the company continued under the name Poole Engineering & Machine Company. In 1905, the company added an administrative building to the campus. In 1916, to meet manufacturing demand, a new erecting shop was added. World War I brought a new wave of commissions to the company. The company manufactured naval artillery mountings and operated an ammunition works in Texas, Maryland.

In 1934, hard hit by the depression, the company sold much of its original campus to the Franklin Balmar Company, which during World War II was commissioned to provide components to the Manhattan Project's atomic bomb. Some of the buildings were sold to Hooperwood Cotton Mills. The campus was later used by the Aero-Chatillon Company to manufacture components for aircraft carriers.

A kitchen cabinet manufacturer was using the site in 1972, and by the 1990s, a rock climbing gym had taken over the massive erecting shop and artists had set up studios on the campus. In 1995, a large fire that began at the rock climbing gym claimed the life of a firefighter and destroyed the erecting shop and machine shops.

After years of vacancy, the development firm Struever Bros. Eccles & Rouse tackled the large site with a preservation and rehabilitation focus. Designed by architects Cho Benn Holback + Associates, the site is now a thriving complex of residences, offices, shops, restaurants, and even a new crop of hard-at-work artisans. The burned out erecting shop was transformed into apartments, and condos were built on the site of the original machine shop. Not least of its notable attributes, the restoration of Clipper Mill has won, not one, but two historic preservation awards from 91Ƶ.

Official Website

Street Address

1760 Union Avenue, Baltimore, MD 21211
]]>
/items/show/28 <![CDATA[Baltimore City College]]>
At a cost of nearly $3 million raised largely by the alumni association, the Gothic stone building that now houses City College was designed by the architecture firm of Buckler and Fenhagen. This same firm, which is the precursor to the current Baltimore firm of Ayers Saint Gross, also designed the mausoleum at Green Mount Cemetery where Bromo Seltzer founder Isaac Emerson is buried, Shriver Hall at Hopkins University, and many public schools throughout Maryland.

Originally all male and all white, City College began admitting African Americans in 1954 after the Brown v. Board of Education Supreme Court case. The school began admitting women (against the wishes of a majority on the alumni board at the time) in 1978 after undergoing a massive restoration project. In 2003 on the building's 75th anniversary, the City College Alumni Association successfully had it added to the National Register of Historic Places and led an effort to keep cellular telephone transmitters from being installed on the building's tower. In 2007, the alumni successfully had it added to Baltimore's own historic landmark list, and won a historic preservation award from 91Ƶ for their multi-year effort.]]>
2018-11-27T10:33:48-05:00

Dublin Core

Title

Baltimore City College

Subject

Education
Architecture

Description

Founded in 1839, City College is the third oldest public high school in the United States. Through an act of the Baltimore City Council in 1866, the school became known as "The Baltimore City College." It relocated a number of times in buildings downtown during its early years and moved to its current building at 33rd St. and The Alameda in 1928.

At a cost of nearly $3 million raised largely by the alumni association, the Gothic stone building that now houses City College was designed by the architecture firm of Buckler and Fenhagen. This same firm, which is the precursor to the current Baltimore firm of Ayers Saint Gross, also designed the mausoleum at Green Mount Cemetery where Bromo Seltzer founder Isaac Emerson is buried, Shriver Hall at Hopkins University, and many public schools throughout Maryland.

Originally all male and all white, City College began admitting African Americans in 1954 after the Brown v. Board of Education Supreme Court case. The school began admitting women (against the wishes of a majority on the alumni board at the time) in 1978 after undergoing a massive restoration project. In 2003 on the building's 75th anniversary, the City College Alumni Association successfully had it added to the National Register of Historic Places and led an effort to keep cellular telephone transmitters from being installed on the building's tower. In 2007, the alumni successfully had it added to Baltimore's own historic landmark list, and won a historic preservation award from 91Ƶ for their multi-year effort.

Curatescape Story Item Type Metadata

Story

Founded in 1839, City College is the third oldest public high school in the United States. Through an act of the Baltimore City Council in 1866, the school became known as "The Baltimore City College." It relocated a number of times in buildings downtown during its early years and moved to its current building at 33rd St. and The Alameda in 1928.

At a cost of nearly $3 million raised largely by the alumni association, the Gothic stone building that now houses City College was designed by the architecture firm of Buckler and Fenhagen. This same firm, which is the precursor to the current Baltimore firm of Ayers Saint Gross, also designed the mausoleum at Green Mount Cemetery where Bromo Seltzer founder Isaac Emerson is buried, Shriver Hall at Hopkins University, and many public schools throughout Maryland.

Originally all male and all white, City College began admitting African Americans in 1954 after the Brown v. Board of Education Supreme Court case. The school began admitting women (against the wishes of a majority on the alumni board at the time) in 1978 after undergoing a massive restoration project. In 2003 on the building's 75th anniversary, the City College Alumni Association successfully had it added to the National Register of Historic Places and led an effort to keep cellular telephone transmitters from being installed on the building's tower. In 2007, the alumni successfully had it added to Baltimore's own historic landmark list, and won a historic preservation award from 91Ƶ for their multi-year effort.

Official Website

Street Address

3220 The Alameda, Baltimore, MD 21218
]]>
/items/show/27 <![CDATA[Carroll Mansion]]>
In addition to being the only Catholic signer of the Declaration of Independence and the first Catholic senator, Carroll was fabulously wealthy. He was instrumental in founding the B&O Railroad, the First and Second National Banks, and gave lavishly to build the Baltimore Basilica and Georgetown University. Before his death in 1832 in the Mansion, Carroll entertained frequently for people who came to learn about the Revolution first-hand. John H.B. Latrobe, son of the famous early American architect Benjamin Latrobe, called it "the finest house in Baltimore at the time."

The building has a history as varied as its most prominent occupant. It has been a saloon, a house for Jewish immigrants, a sweatshop, a school, and a recreation center. The City first boarded it up in 1954, then restored it and operated as a history museum until 1997, when it was again boarded up. In 2002, the non-profit organization Carroll Museums, Inc. reopened the Mansion and has been restoring it since. It is currently open for 91Ƶ and to rent for events.]]>
2020-10-16T14:45:22-04:00

Dublin Core

Title

Carroll Mansion

Subject

Architecture
Historic Preservation
Museums

Description

Step inside this grand residence and find 18-foot ceilings, a spiral staircase, and ornate chandeliers. Few Americans could have afforded the Carroll Mansion in the early 1800s when Charles Carroll, the last surviving signer of the Declaration of Independence, bought this Lombard Street house for his daughter and son-in-law. Carroll, however, was in no way an ordinary citizen.

In addition to being the only Catholic signer of the Declaration of Independence and the first Catholic senator, Carroll was fabulously wealthy. He was instrumental in founding the B&O Railroad, the First and Second National Banks, and gave lavishly to build the Baltimore Basilica and Georgetown University. Before his death in 1832 in the Mansion, Carroll entertained frequently for people who came to learn about the Revolution first-hand. John H.B. Latrobe, son of the famous early American architect Benjamin Latrobe, called it "the finest house in Baltimore at the time."

The building has a history as varied as its most prominent occupant. It has been a saloon, a house for Jewish immigrants, a sweatshop, a school, and a recreation center. The City first boarded it up in 1954, then restored it and operated as a history museum until 1997, when it was again boarded up. In 2002, the non-profit organization Carroll Museums, Inc. reopened the Mansion and has been restoring it since. It is currently open for 91Ƶ and to rent for events.

Creator

Johns Hopkins

Curatescape Story Item Type Metadata

Story

Step inside this grand residence and find 18-foot ceilings, a spiral staircase, and ornate chandeliers. Few Americans could have afforded the Carroll Mansion in the early 1800s when Charles Carroll, the last surviving signer of the Declaration of Independence, bought this Lombard Street house for his daughter and son-in-law. Carroll, however, was in no way an ordinary citizen. In addition to being the only Catholic signer of the Declaration of Independence and the first Catholic senator, Carroll was fabulously wealthy. He was instrumental in founding the B&O Railroad, the First and Second National Banks, and gave lavishly to build the Baltimore Basilica and Georgetown University. Before his death in 1832 in the Mansion, Carroll entertained frequently for people who came to learn about the Revolution first-hand. John H.B. Latrobe, son of the famous early American architect Benjamin Latrobe, called it "the finest house in Baltimore at the time." The building has a history as varied as its most prominent occupant. It has been a saloon, a house for Jewish immigrants, a sweatshop, a school, and a recreation center. The City first boarded it up in 1954, then restored it and operated as a history museum until 1997, when it was again boarded up. In 2002, the non-profit organization Carroll Museums, Inc. reopened the Mansion and has been restoring it since. It is currently open for 91Ƶ and to rent for events.

Watch our on this building!

Official Website

Street Address

800 E. Lombard Street, Baltimore, MD 21202
]]>
/items/show/26 <![CDATA[B'Nai Israel Synagogue]]>
B'Nai Israel took advantage of the exodus, and laid down $12,000 in 1895 to buy the synagogue it now occupies from the Chizuk Amuno congregation. While many East Baltimore congregations closed or left the city following World War II, B'Nai Israel remained, perhaps part of a Talmudic obligation to protect at least one shul in every city. After years of decline, fortunes turned in the late 1970s when the congregation began to grow and restoration work on the synagogue began.

The building dates to the late 19th century, before the advent of modern architecture trends in American synagogues. Its large central window, stained glass, and interior sanctuary are heavily influenced by Eastern Mediterranean and Byzantine architecture. The sanctuary's original ceiling, with frescoes akin to those in European churches, remains intact, as does a tremendous hand-carved ark in the central sanctuary.]]>
2018-11-27T10:33:48-05:00

Dublin Core

Title

B'Nai Israel Synagogue

Subject

Religion
Architecture

Description

Incorporated in 1873 shortly after the end of the Civil War as the "Russian Congregation B'nai Israel of Baltimore City," B'Nai Israel was formed by Eastern European Jews living at a hub of Jewish Baltimore along the Jones Falls River. The founding members were working class Baltimoreans: shoemakers, clothiers, and the like. Despite the nod to Russia in the synagogue's name, many actually hailed from Poland. Between 1880 and 1905, Baltimore's Jewish population swelled from 10,000 to 25,000, and many German congregations moved out of east Baltimore and downtown. Examples of congregations moving west included Baltimore Hebrew (1891), Oheb Shalom (1893), Har Sinai (1894), and Chizuk Amuno (1895).

B'Nai Israel took advantage of the exodus, and laid down $12,000 in 1895 to buy the synagogue it now occupies from the Chizuk Amuno congregation. While many East Baltimore congregations closed or left the city following World War II, B'Nai Israel remained, perhaps part of a Talmudic obligation to protect at least one shul in every city. After years of decline, fortunes turned in the late 1970s when the congregation began to grow and restoration work on the synagogue began.

The building dates to the late 19th century, before the advent of modern architecture trends in American synagogues. Its large central window, stained glass, and interior sanctuary are heavily influenced by Eastern Mediterranean and Byzantine architecture. The sanctuary's original ceiling, with frescoes akin to those in European churches, remains intact, as does a tremendous hand-carved ark in the central sanctuary.

Creator

Johns Hopkins

Curatescape Story Item Type Metadata

Story

Incorporated in 1873 shortly after the end of the Civil War as the "Russian Congregation B'nai Israel of Baltimore City," B'Nai Israel was formed by Eastern European Jews living at a hub of Jewish Baltimore along the Jones Falls River. The founding members were working class Baltimoreans: shoemakers, clothiers, and the like. Despite the nod to Russia in the synagogue's name, many actually hailed from Poland. Between 1880 and 1905, Baltimore's Jewish population swelled from 10,000 to 25,000, and many German congregations moved out of east Baltimore and downtown. Examples of congregations moving west included Baltimore Hebrew (1891), Oheb Shalom (1893), Har Sinai (1894), and Chizuk Amuno (1895).

B'Nai Israel took advantage of the exodus, and laid down $12,000 in 1895 to buy the synagogue it now occupies from the Chizuk Amuno congregation. While many East Baltimore congregations closed or left the city following World War II, B'Nai Israel remained, perhaps part of a Talmudic obligation to protect at least one shul in every city. After years of decline, fortunes turned in the late 1970s when the congregation began to grow and restoration work on the synagogue began.

The building dates to the late nineteenth century, before the advent of modern architecture trends in American synagogues. Its large central window, stained glass, and interior sanctuary are heavily influenced by Eastern Mediterranean and Byzantine architecture. The sanctuary's original ceiling, with frescoes akin to those in European churches, remains intact, as does a tremendous hand-carved ark in the central sanctuary.

Official Website

Street Address

27 Lloyd Street, Baltimore, MD 21202
]]>
/items/show/25 <![CDATA[Westminster Burying Ground]]>
Although notables such as Sam Smith and James McHenry are buried here (bitter rivals in life, fate brought them cheek to jowl in the graveyard), the most famous eternal resident is Edgar Allan Poe. When he died in 1849, Poe was originally buried in an unmarked grave next to that of his grandfather in the back of Westminster. In 1875, Poe's body was moved to the front of the graveyard with a dedication ceremony that included the American poet Walt Whitman. Adding to the mystery that surrounds Poe and his death, Baltimore lore has it that the re-internment in 1875 got the wrong poor soul into the new grave (probably not true) and that the current monument has Poe's birth date wrong (true).

The church and graveyard are now in the care of the Westminster Preservation Trust, a private, non-profit organization established in 1977. In the early 1980s, the Trust restored the graveyard as well as the former church building, and the church is now available to rent.]]>
2018-11-27T10:33:48-05:00

Dublin Core

Title

Westminster Burying Ground

Subject

Religion
Architecture
Historic Preservation

Description

Opened in 1786 by Baltimore's First Presbyterian Church, the Westminster Burying Ground is the resting place for many of early Baltimore's most notable citizens, including merchants, mayors, and fifteen generals from the Revolutionary War and War of 1812. In 1852, the church that also occupies the property was built on brick piers over some of the tombs, creating what is called the "Baltimore Catacombs."

Although notables such as Sam Smith and James McHenry are buried here (bitter rivals in life, fate brought them cheek to jowl in the graveyard), the most famous eternal resident is Edgar Allan Poe. When he died in 1849, Poe was originally buried in an unmarked grave next to that of his grandfather in the back of Westminster. In 1875, Poe's body was moved to the front of the graveyard with a dedication ceremony that included the American poet Walt Whitman. Adding to the mystery that surrounds Poe and his death, Baltimore lore has it that the re-internment in 1875 got the wrong poor soul into the new grave (probably not true) and that the current monument has Poe's birth date wrong (true).

The church and graveyard are now in the care of the Westminster Preservation Trust, a private, non-profit organization established in 1977. In the early 1980s, the Trust restored the graveyard as well as the former church building, and the church is now available to rent.

Creator

Johns Hopkins

Curatescape Story Item Type Metadata

Story

Opened in 1786 by Baltimore's First Presbyterian Church, the Westminster Burying Ground is the resting place for many of early Baltimore's most notable citizens, including merchants, mayors, and fifteen generals from the Revolutionary War and War of 1812. In 1852, the church that also occupies the property was built on brick piers over some of the tombs, creating what is called the "Baltimore Catacombs."

Although notables such as Sam Smith and James McHenry are buried here (bitter rivals in life, fate brought them cheek to jowl in the graveyard), the most famous eternal resident is Edgar Allan Poe. When he died in 1849, Poe was originally buried in an unmarked grave next to that of his grandfather in the back of Westminster. In 1875, Poe's body was moved to the front of the graveyard with a dedication ceremony that included the American poet Walt Whitman. Adding to the mystery that surrounds Poe and his death, Baltimore lore has it that the re-internment in 1875 got the wrong poor soul into the new grave (probably not true) and that the current monument has Poe's birth date wrong (true).

The church and graveyard are now in the care of the Westminster Preservation Trust, a private, non-profit organization established in 1977. In the early 1980s, the Trust restored the graveyard as well as the former church building, and the church is now available to rent.

Official Website

Street Address

519 W. Fayette Street, Baltimore, MD 21201
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/items/show/24 <![CDATA[Basilica of the Assumption]]> 2020-10-21T10:16:01-04:00

Dublin Core

Title

Basilica of the Assumption

Subject

Architecture
Religion

Creator

Johns Hopkins

Curatescape Story Item Type Metadata

Story

Built primarily between 1806 and 1821, the Baltimore Basilica was the first Cathedral erected in the United States. Bishop John Carroll, America's first bishop and a cousin of Charles Carroll of Declaration of Independence signing fame, led the effort to build a cathedral in Baltimore based on "American" principles of architecture (read: not European and especially not Gothic). Bishop Carroll was lucky to connect with young architect named Benjamin Henry Latrobe, who volunteered his architectural services for the new cathedral and would later achieve the moniker "Father of American Architecture." With inspiration from the newly completed skylight in the U.S. Capitol following the vision of Thomas Jefferson, Latrobe designed what many consider to be one of the finest examples of nineteenth century architecture in the world. Latrobe and Carroll were able to complete much of the architectural original plans, but the church didn't have enough money to complete the portico by the dedication in 1821. Twenty years later, Latrobe's son, lawyer and inventor John H.B. Latrobe (who lived on Mulberry Street across from the Basilica) submitted plans for the portico's foundation but it wasn't until the 1860s that architect Eben Faxon carried out the work of completing the portico entrance. This internationally significant building has played a central role in the history of Baltimore and the Catholic Church. Along the way, it has gained recognition as a Minor Basilica (1937), national historic landmark (1972), Baltimore City historic landmark (1975), and a national shrine (1993). Most recently, the Archdiocese of Baltimore, the Basilica of the Assumption Historic Trust, and John G. Waite Associates Architects oversaw a major restoration and rehabilitation project covering nearly every square inch of the building, both inside and out. The work included the reintroduction of clear lights in the nave, restoration of the skylight, and the creation of a chapel in the undercroft.

Watch on the basilica!

Official Website

Street Address

409 Cathedral Street, Baltimore, MD 21201
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/items/show/23 <![CDATA[Druid Hill Park]]>
Later renamed "Druid Hill," the City of Baltimore purchase the property from then owner Lloyd Rogers in 1860. The purchase was paid for thanks to a one-cent park tax on the nickel horsecar fares.]]>
2018-11-27T10:33:48-05:00

Dublin Core

Title

Druid Hill Park

Subject

Parks and Lanscapes

Description

Druid Hill Park was established on the eve of the Civil War by Baltimore Mayor Thomas Swann on October 19, 1860. Much of the park started as part of "Auchentorlie," the estate of George Buchanan, one of the seven commissioners who founded Baltimore City in 1729.

Later renamed "Druid Hill," the City of Baltimore purchase the property from then owner Lloyd Rogers in 1860. The purchase was paid for thanks to a one-cent park tax on the nickel horsecar fares.

Curatescape Story Item Type Metadata

Story

Druid Hill Park was established on the eve of the Civil War by Baltimore Mayor Thomas Swann on October 19, 1860. Much of the park started as part of "Auchentorlie," the estate of George Buchanan, one of the seven commissioners who founded Baltimore City in 1729.

Later renamed "Druid Hill," the City of Baltimore purchased the property from then owner Lloyd Rogers in 1860. The purchase was paid for thanks to a one-cent park tax on the nickel horse-car fares.

Related Resources

Official Website

Street Address

900 Druid Park Lake Drive, Baltimore, MD 21217
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