Light and music onced poured out the windows and door of the Sphinx Club on Pennsylvania Avenue but only club members (and musicians) could get inside to enjoy the drinks and entertainment. Today, the building sits boarded-up and waiting on a planned redevelopment by the Druid Heights CDC to bring back music and life to the block.
In December 2002, Sevety-three-year-old jazz singer and educator Ruby Glover gave a tour of the Avenue to a Baltimore Sun reporter lamented the sight of the Sphinx Club sitting vacant. "It was always kept so well. Tilghman must be turning over in his grave." Charles Phillip Tilghman founded the club in 1946 and ran the business as an elegant private club up until his death in 1988. Tilghman recruited Furman L. Templeton, director of the Baltimore Urban League (with offices nearby at 1841 Pennsylvania Avenue), to chair of the club's advisory board. Glover recalled the scene:
There's nothing there that even gives you the image. It was always so pretty, so lit up. It really was a private club. And my impression was that it was for elite blacks. That was where they hung out. And you could always sing when you went in because they kept a house band, Chico Johnson and his organ trio and Earlene Reed, singing in there.
Ruby Glover recalled how musicians always went to the Sphinx Club right after nearby jazz venues, including Club Tijuana on Clifton Avenue, Red Fox on Fulton Avenue, and The Comedy Club and The Ubangi Club on Pennsylvania Avenue, closed for the night. She explained:
And whomever was down The Avenue performing, after the clubs closed that's where you went. Put on a good show in there. If you were a musician all you had to do is ring the bell. They'd tell you, 'Hey, come on in here, give us a little song.'
But four years after Charles Tilghman's death the "old Sphinx Club" shut down. By 2002, the Baltimore Sun described it as "dreary."
The building continued to remain vacant and boarded for over two decades. Fortunately, the Druid Heights Community Development Corporation is seeking to change that. In 2011, the Druid Heights CDC announced their plans to turn the building and an adjoining property into the Negro Baseball Museum and Restaurant鈥攂ringing new jobs and visitors to Avenue again.
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On July 21, 1817, Captain Benjamin C. Howard鈥檚听First Mechanical Volunteers听formed up early in town and marched six miles to the North Point battleground. Accompanying them were wagons conveying the monument blocks to be assembled and dedicated on site that day. The monument鈥檚 construction was directed by Lt. Thomas Towson, a stone mason听鈥渨ho aimed at simplicity and neatness.鈥 With a final application of whitewash it was dedicated to honor Private Aquila Randall a member who was killed in a skirmish just before the Battle of North Point, September 12, 1814. The company was joined by other 5thMaryland Regiment officers at the monument while Captain Howard delivered a modest appropriate address:
鈥溾.I can picture to myself the sensation of those who in far distant days will contemplate this monument鈥nd the melancholy event which has caused our assemblage at this spot鈥his monument which we are now erecting, will stand as a solemn expression of the feeling of us all鈥ut I regret that the spot, which is made classic by the effusion of blood, the sport where the long line stood un-appalled by the system and advances of an experienced and disciplined foe, has been suffered to remain unnoticed. It is here where her citizens stood arrayed soldier鈥檚 garb, that honors to a soldier鈥檚 memory should have been paid. To mark the spot be then our care.鈥︹
The inscriptions on the monument read:
One of the most striking monuments related to the Battle of Baltimore is the nearly forty-foot tall statue of the Greek god Orpheus greeting visitors to Fort McHenry since 1922. Dedicated to Francis Scott Key as well as the Old Defenders, the sculpture takes a more allegorical approach than monuments to others involved in the Battle of Baltimore.
The U.S. Congress appropriated $75,000 for a sculpture at this site in 1914 to mark the centennial of the Star-Spangled Banner-though the song did not become the national anthem until 1931. The Fine Arts Commission hosted a national contest to select the design, with Charles Niehaus' twenty-four-foot depiction of the Greek god of music and poetry selected as the most fitting memorial to Key. The bronze statue of a nude Orpheus playing the lyre stands atop a white marble base fifteen feet high. The low relief frieze on the base include a likeness of Key as well as other figures from mythology.
World War I delayed the project for a eight years. President Warren G. Harding dedicated the monument on Flag Day in 1922 with a live broadcast from WEAR鈥攖he first time a president had been heard on the radio. Congress paid Niehaus $33,121 (above the original appropriation) for Orpheus with the Awkward Foot.
Fort McHenry continued to serve as a military installation into the twentieth century. The Fort was briefly used as a city park from 1914 to 1917, when it returned to federal service as General Hospital No. 2 around World War I. When President Harding visited the Fort to dedicate the monument, the buildings had grown increasingly dilapidated. The Baltimore News American described the contrast between the empty fort and the new statue in August 1924:
"Deserted barracks and shacks gradually sink into ruin and weeds flourish where a great American victory of arms was won in the War of 1812. A movement is gaining headway to restore the ancient fort and transform it into a Federal park, worthy of its traditions and sightly to the tourists who come from distant places to visit the spot where a brilliant chapter of American history was written."
The movement to restore the fort, with vocal support from locals in Baltimore, successfully reinvigorated the site. President Calvin Coolidge signed legislation in 1925 preserving Fort McHenry as a national park under the War Department--the first national park related to the War of 1812. Baltimoreans and visitors could stroll the grounds, walk along the water, and access this historic site freely once again. The National Park Service assumed stewardship in 1933.
Six years later, the fort became the only NPS site with the dual designation of National Monument and Historic Shrine. Park service officials sought to distinguish historic sites of military importance with expansive natural landscapes in the west by using the categories of "National Monument" and "National Park." Outspoken locals pushed for the inclusion of "Historic Shrine" as it described the fort as a place of inspiration (for Key). James Hancock, President of the Society of the War of 1812, explained his position in a 1938 letter to Congressman Stephen Gambrill. The Fort, he argued, was "a distinctly historical place where people can go to review and renew those patriotic impulses that had much to do in making the national character."
The defense of Baltimore took place both on land, at North Point, as well as by sea at Fort McHenry. However, interest in the Star-Spangled Banner story in the twentieth century鈥攅mbodied by Orpheus鈥攃ame at the expense of North Point. Decades of federal resources have focused public attention to the Battle of Baltimore on Fort McHenry.
The Gunpowder Copper Works, a once-prominent factory located along the Great Gunpowder Falls near Glen Arm, Maryland is the second oldest copper works in the United States. The factory operated from around 1811 to 1858 turning blocks of copper into thin sheets used for covering the bottoms of ships and boats to increase their speed and durability. Possibly the most intact industrial site of its kind along the Great Gunpowder Falls, the factory is located immediately past Factory Road on northbound Harford Road.
The Gunpowder Copper Works was established around 1811 by Levi Hollingsworth, a veteran of the American Revolution and a prosperous merchant from Cecil County with major investments in shipbuilding. On a trip to England, Levi Hollingsworth studied the refining, milling and rolling of copper and brought back extensive machinery he needed to set up a factory in America. He likely established the factory soon after leasing a mill from Dr. Thomas Love and Caleb Dorsey Goodwin on this site in 1811.
The Copper Works factory complex included two sets of sheet rolls, two refining furnaces, and later, and a cupola furnace for treating the slag. A water-wheel furnished the power. With a factory among in the fertile hills of Baltimore County, workmen eventually took to farming when business slowed. When the crops needed attention, workers left rolling and milling for another day.
During the War of 1812, the Gunpowder Copper Works supplied the U.S. Navy with sheathing, bolts and nails. Levi Hollingsworth joined the Fifth Maryland Regiment in 1814 and was wounded in September fighting the British at the Battle of North Point.
Shortly after end of the war, the dome on the U.S. Capitol in Washington, D.C. was rebuilt using copper sheathing rolled by the the Gunpowder Copper Works using ore mined in Frederick County, Maryland. The Capitol Dome contract brought the mill national recognition as a copper supplier. The profit from the project allowed Levi Hollingsworth to buy out the Ridgely and Goodwin interests in the Gunpowder Copper Works in 1816. By the time Hollingsworth died 1822, the mill was the only copper refinery in operation south of the Mason-Dixon Line. By 1850, the Gunpowder Copper Works had produced between 550,000 and 1.5 million pounds of copper sheeting.
After Levi Hollingsworth's death, the Copper Works sold to John McKim, Jr. and Sons. Operation of the copper works continued under the management of Isaac McKim until his death in 1838. Isaac McKim linked the Gunpowder Copper Works to the family's shipbuilding supply business on Smith's Wharf in Baltimore's harbor, now the site of the National Aquarium.
After Isaac's death, his nephews bought out the other beneficiaries and ran the Copper Works. Haslett and William McKim were both active businessmen in Baltimore, serving on the boards of the Baltimore Dispensary, the Peabody Institute, the B&O Railroad, and the Maritime Insurance Company. William McKim served as an aide-de-camp to Commander John Spear Smith during the Baltimore Bank Riot in 1835. His uncle, Isaac, had served a similar position to Commander Smith's father, General Sam Smith, during the War of 1812.
In September 1843, a notice in the Baltimore American, advertised the copper works for lease including:
"a sheet mill with two pairs of rollers, two pairs of large shears operated by a water wheel, two annealing furnaces, a tilt and bolt mill, a tilt-hammer operated by a water wheel, two furnaces, a blacksmith shop, carpenter and turning shop and a nail machine. Two refining shops with a slag furnace, coal houses and homes for workmen. The Dam is substantial and in good condition, and the water power is among the best in the vicinity of Baltimore. The works are on a good turnpike about 10 miles above Baltimore."
In 1858, major rain storms in mid-June caused significant flooding in the area and along the Great Gunpowder Falls, which destroyed the dam at the Copper Works. The dam was rebuilt, but operation ceased later that year and the factory closed. The owners rented the property rented to a tenant operator in 1861 but it likely remained closed during the Civil War. The Maryland General Assembly incorporated the Gunpowder Copper Works as a state facility in 1864, naming Levi Hollingsworth's son-in-law, William Pinkney Whyte, president of the operation, and Enoch Pratt, one of the incorporators. Despite Whyte's prominence as a politician and Pratt's success in business, the newly incorporated copper works soon failed. The City of Baltimore bought the 303 acres of land on which the copper works sat in 1866 as the possible site for a future reservoir.
In 1887, the Baltimore City Water Board sold the copper works to Henry Reier, who sold it to Henry E. Shimp for his "bending works at the Old Copper Factory on the Gunpowder," where he manufactured wheel rims, wagon-wheel spokes and wagon shafts. The facility never processed copper again, but Shimp's Eagle Steam Saw and Bending Mills continued operating into the twentieth century.
J. Alexis Shriver, Harford County landowner, bought the property in 1910 and sold the plant's water wheels during a World War I scrap drive. By the mid-twentieth century, the facility stood in ruins but was acquired by the state as part of the new Gunpowder Falls State Park.
There are at least four buildings from the original complex still standing along Harford Road just above Gunpowder River bridge. These include the Copper Works House with outbuildings, the Tilt-hammer House, the Foreman's House, and the spring house and bridge.
Constructed about 1815, the Gunpowder Copper Works House is a one-and-a-half-story stone building reportedly used as a dormitory for the workers at the nearby plant. By about 1900, this building had been converted to a stable by J. Alexis Shriver then later converted to a residence. The small stone Foreman's House was built around 1815. Two more stories and a large shed dormer were added to the building later. The house sold to Henry Reier in 1877 and his family held it until 1938. The Tilt-hammer House, built about 1815, may have been the coppersmith's house at one time. When it served as the tilt-hammer house, this building is where copper was pounded into sheets. The building became a residence after 1925 and the only original parts of the structure are the exterior stone walls.
Today, all of these buildings are in use as residences or offices. They are located within the Gunpowder Historic District and sit on land which has been incorporated into Gunpowder State Park.
Completed in 1872 as a 鈥淐athedral of Methodism,鈥 the Norman-Gothic Mount Vernon Place United Methodist Church was a signature achievement for the noted Baltimore architects Thomas Dixon and Charles L. Carson. It was also at first an immense source of aggravation to its neighbors.
By the 1870s, Mount Vernon had become the place to live for Baltimore鈥檚 elite, and Mount Vernon Place with the Washington Monument was the central jewel of the community. The church鈥檚 heavy presence off the north park, green serpentine stone amidst the Baltimore brick and more subdued color palate, and steeple that reached nearly to the top of President Washington鈥檚 head sparked a great deal of angst. The fact that the church replaced the house where Francis Scott Key passed away did not help sooth the neighbors. The house was the home of Key鈥檚 daughter and her husband, Elizabeth Phoebe Key and Charles Howard.
After its early days, however, the church has become a central and admired part of Mount Vernon Place. Architecturally, it was built of striking green serpentine stone, as well as buff, olive and red sandstone. Architects Dixon and Carson embellished it with polished granite columns and carved designs taken from nature. Its many gothic details of flying buttresses, a tower, and arches are purely esthetic in function, as the building is constructed over an iron framework. There are even grotesque stone faces above the windows on the west front (three full cut, two in profile) said to be likenesses of prominent persons living at the time the church was built. On the inside, the church is notable for its iron supporting columns, carved wooden beams, and stained glass cross window over the pulpit.
In addition to its architecture, the church鈥檚 congregation has made its mark on Baltimore as well. The group began in a building on Lovely Lane (intersecting today鈥檚 Redwood Street downtown) and is credited with launching the Methodist Episcopal Church in the United States in 1784. The current church on Mount Vernon Place is the congregation鈥檚 fourth home. In addition to its spiritual work, the congregation has provided innumerable secular services to Baltimore. In World War II, the church provided beds, food and entertainment to servicemen returning from the front.
Beginning in the 1970s, they led efforts to help runaway teenagers and victims of drug abuse, and began a service organization to engage young Baltimoreans in helping their city. The congregation today continues its service to Baltimore in many ways, including opening to 91视频 and the curious public.
The Baltimore County Almshouse officially opened in 1874 as a public home for the county's indigent, elderly, and infirm residents. The Almshouse and its predecessors were the ancestors of today鈥檚 nursing homes, mental health hospitals, homeless shelters, and other social services and health care facilities. After Baltimore City and County separated in 1851, the County took over one of two original almshouses that had served Baltimore: Calverton, founded in 1819. The County sold the aging Calverton facility in the 1870s and built a new almshouse farther north. Originally called the Upland Home, the third and final almshouse is now known simply as "the Almshouse."
The project of building the Almshouse began in 1871 when County Commissioners purchased property in the village of Texas, Maryland, from Dr. John Galloway. Galloway also served as one of the Almshouse's early physicians. Builders Codling and Lishear, following designs by local architect James Harrison, used locally quarried limestone to erect the four-story edifice. In 1872, the Sun reported how the main home was "constructed of the best material and in the most substantial manner" and claimed the building would "be a credit to the county." After a total outlay of nearly $60,000, seventy-four "inmates," as residents were known, moved in on January 8, 1874.
Housing for inmates at the Almshouse was rigidly segregated by race and gender. The County built the "Pest House" (short for pestilence), a small structure down the hill from the main home, to quarantine residents with contagious diseases. Far more often, the Pest House served as segregated housing for African American men. In the main building, white men and women lived in the front wing (on separate floors) and African American women lived in the back wing. The Almshouse superintendent reserved the first floor for himself and his family, along with any resident physicians and other privileged employees.
The Almshouse property included a farm of well over 100 acres and able-bodied residents were expected to work as farmhands or within the home in cooking, sewing, laundry or childcare, to help provide for their own upkeep. While the farm was generally described as productive in various reports over the years, the County still spent thousands of dollars annually on items like coal, bread, beef, fertilizer, medicine and salaries. Records from the late nineteenth century show expenditures totaling $7,200 in 1869, $12,520 in 1883 and $11,345 in 1886, for example. Salary expenditures went mainly to the twelve superintendents who oversaw the Almshouse from 1874 to 1958, with varying degrees of success (at least according to accounts in the press, which sometimes carried a whiff of partisan bias). The last two superintendents, who served from 1907 to 1959, were father and son, John P. and William Chilcoat. On balance, the Chilcoats seemed to earn more praise than their predecessors for their care of residents and effective oversight of the farm. William Chilcoat, for instance, was credited with lobbying successfully to secure County funds in 1938 to add more meat and eggs and otherwise upgrade the residents' diet.
The vast majority of inmates are now only knowable through the basic details recorded in the Almshouse ledger books, held in the collections of the Historical Society of Baltimore County. The ledgers recorded residents' age, sex, race, and place of birth. Unsurprisingly, the impoverished Almshouse population included many African Americans and immigrants over the years. A 1946 census of the eighty-nine residents, for example, noted fifteen African Americans and fifteen foreign-born whites, mainly from Germany, Poland, Russia and Ireland. Most of the American-born residents in 1946 came from Maryland, but eighteen were natives of other US states. Some residents registered under partial or false names鈥攁 "Daniel Boone" entered on October 1, 1891, and the facility admitted a "Napolean Bonaparte" on June 12, 1899鈥攔eflecting the distressed circumstances that sent them to the Almshouse. Some unfortunates came to the Almshouse only in death, to be buried in unmarked graves in the potter鈥檚 field on the grounds.
We do know a bit more about some individuals. In 1943, the Towson Jeffersonian profiled Fannie Williams, a 104-year-old African American woman and the oldest occupant of the Almshouse. Williams had lived there for forty-one years, "earning her keep" by helping the superintendent鈥檚 wife with cleaning and, after she became wheelchair-bound, mending clothes for other residents. Before entering the Almshouse, Williams had worked as a domestic servant in Baltimore County homes. Other residents occasionally landed in the newspapers under more unfortunate circumstances, like Anthony Rose, an elderly white resident who fell down the Almshouse鈥檚 elevator shaft and died in 1909.
In the early decades, the facility had a persistent problem with overcrowding, especially during the cold winter months. From 1874 to 1914, more than 10,000 people passed through the Almshouse鈥檚 doors as 鈥渋nmates,鈥 committed to public care for reasons ranging from disabilities to dementia to diseases like measles and tuberculosis. Over time, however, public and private alternatives emerged for those who did not have families able or willing to house and care for them. The founding of the State Lunacy Commission in the early 1890s marked growing concern over the treatment of the mentally ill and disabled. Those considered "insane," who in an earlier era might have lived in an almshouse, were increasingly placed in "asylums." As retirement communities and nursing homes became more common over the twentieth century, the need for almshouses declined further. In 1958, Baltimore County officials closed the historic facility, citing costs.
Since its closure, the Almshouse has housed the Historical Society of Baltimore County (founded in 1959), and a variety of County government offices and other nonprofits. In 1980, the Almshouse was added to the County Landmarks List. Today, the Historical Society maintains its collections and offices, runs a research center for the public, and holds events in this historic structure. The surrounding community of Cockeysville enjoys the open spaces and greenery of the sprawling former grounds, now County Home Park.
Built in 1914 for Eastwick Motors, Baltimore鈥檚 first Ford dealership, 120 West North Avenue has been home to a surprising array of owners and occupants. After its days with Eastwick (a proud supporter of Amoco gasoline and its American Oil Company Baltimore roots), the building changed hands several times. Subsequent dealers sold cars from mostly forgotten manufacturers including Graham Page, Desoto, and Plymouth. By the mid 1930s, Kernan Motors owned the building and sold Nash, Willys, and Jeep vehicles.
As North Avenue transitioned from a corridor for car dealerships, the building became vacant several times before finally becoming home to the Lombard Office Furniture company in the late 1970s. The business sold well-used metal office furniture.
In 2005, the building became an arts center that included the Single Carrot theatre, a gallery, and studios. The name of the space came about by creatively deleting letters from the existing signage. So, 鈥淟ombard Office Furniture鈥 became 鈥淟oad of Fun鈥 Gallery.
Unfortunately, 120 West North Avenue required major renovations to meet the necessary building codes. BARCO, an arts-based development group, acquired the building in 2013 and began making the necessary changes in order to reopen as a hub for the arts. In 2014, the Baltimore Sun quoted project director Amy Bonitz on the unique historic elements of the building:
"The beauty is nobody has messed up the interior. Some of the wonderful features we've uncovered include the original [auto] showroom with a mezzanine where the managers could oversee the work happening throughout the first floor, including the rooms where the sales agreements were finalized.The front facade also contains beautiful leaded-glass windows with large, pivot windows that will be fully restored. The third floor is also a wide-open space with large skylights where mechanics used to work on cars. We will be saving and preserving the old freight elevator that brought the cars up to the upper floors for servicing as well."
The Motor House held a grand reopening in January 2016 with space for performances, artists, a cafe, and gallery.
Baltimore鈥檚 Locust Point was a rapidly growing neighborhood between the Civil War and 1920. One major factor in the neighborhood鈥檚 growth was an immigration pier and depot built in 1867 by the B&O Railroad and the North German Lloyd Shipping Company. Over 1.2 million immigrants landed at the pier between 1868 and 1914, making Baltimore the third largest port of entry in the U.S. at the time (after New York and Boston). B&O extended their railroad tracks up to the pier for the many travellers who purchased a combination ship and rail passage. Most of the earliest immigrants came from Germany but, by the 1890s, a larger number of people came from the Russian and Austrian Empires.
Seeing the ever growing number of immigrants, the local German United Evangelical Christ Church decided in 1904 to build a mission house, known as Immigrant House. The mission offered immigrants room and board, clothing, help in finding work, English lessons, and religious ministry. Sailors from the North German Lloyd ships could also stay there when their ships were in port. By 1916, the pastor reported that 3,710 people had stayed at the mission since it opened 12 years earlier.
While 鈥淭he Great Wave of Immigration鈥 from Europe ended in Baltimore with the outbreak of the first World War, Immigrant House remained a boarding home for sailors until the 1930s and truck drivers until the 1950s. Since then, the building has been used for church offices, storage, daycare, and Sunday school. The original boarding rooms on the second and third floors remained unoccupied and unchanged, though in deteriorating condition. Baltimore City designated both the church and Immigrant House as local landmarks in 2006.
The Baltimore Immigration Memorial, Inc. (BIM), formerly the Baltimore Immigration Project, was established to preserve and publicize the history of the 1.2 million immigrants who came here. In 2006, this group led the effort to design and install a sculpture garden, Liberty Garden, at the end of Hull Street on the grounds of what is now the property of Under Armour. The immigrants had disembarked at Piers 8 and 9, which were once located nearby.
BIM and the Locust Point Community UCC have since worked together for the creation of the Baltimore Immigration Museum on the ground floor of Immigrant House on Beason Street, not far from the Liberty Garden. The museum鈥檚 initial exhibit tells the story of global immigration in the nineteenth century, with an emphasis on the U.S. and Baltimore between 1830 and 1914. The stories of Baltimore鈥檚 major immigrant groups are told, as well as the story of anti-immigrant movements of the past.
Future projects at the Baltimore Immigration Museum will focus on migration and immigration since 1914, including the history of the migration of African Americans to Baltimore from 1914 to 1970, as well as the 鈥渘ew鈥 immigrants, both Latino and Asian, who have arrived in Baltimore since the liberalization of U.S. immigration laws in 1965.
In Charles Barton's 1948 romp, The Noose Hangs High, Bud Abbott and Lou Costello argue over shrimp cocktails. Abbott tells Costello to imagine he's in Grand Central station with a ticket in his pocket. Where is he going? Costello doesn't understand why he should be going anywhere, but Abbott presses him:
"I'll go to Baltimore," Costello says.
"Of all the towns in the United States, why did you have to pick Baltimore?"
"I got friends in Baltimore!"
Lou Costello's connection to Baltimore was more than casual. His aunt, Eva Zissimos, owned Zissimos Bar with her husband, Atha. Eva would host Costello when he was passing through town. His exploits at Zissimos became a riotous neighborhood event. He was known to tapdance on the bar and hand out autographed one-dollar bills to children. Costello was fond of his Baltimore family. During a show at the Hippodrome, he invited Eva's four year old granddaughter, Leiloni Pardue, to perform on stage with him. The last time Lou Costello came to Baltimore was in 1957 on his way to Washington D.C. to perform at President Eisenhower's second Inauguration. He died two years later of a heart attack.
Lou Costello's antics at Zissimos are just a small part of the bar's legacy. Zissimos lays claim to being the oldest business in operation on the Avenue. It has been family owned since 1930. Atha and Eva chose the Thirty-Sixth street location because of Hampden's sizeable Greek population. The biggest Greek name in Hampden was Theodore Cavacos. He was the unofficial mayor of Hampden and owned vast swaths of property in the area, including the lucrative Cavacos Drugstore. By the end of the 1950s, there were over a dozen Greek owned establishments in Hampden, several of which were owned by members of the Zissimos family, including a dry cleaners and a restaurant.
The history of Zissimos is long and eclectic. Before the building's renovation in 2014, Zissimos looked like a bunker鈥揳 fortified brick facade with a sliver of an opening for a window. The facade replaced a large picture window from which Atha sold hamburgers and hotdogs. The window met a violent end after William Zissimos and his brother Louis took over in 1955. Louis was an undefeated heavyweight boxer in the Navy and took a no-nonsense approach to running the bar. Rowdy patrons who picked a fight with him were thrown out the window, and after shattering the glass too many times, the window became irreparable.
Zissimos is a much warmer place today, in large part due to the efforts of its current owner, Geli Ioannou, who married into the Zissimos family. Geli renovated Zissimos and opened the upstairs, once the home where Eva served Lou Costello hot meals, and turned it into the space for the bar's comedy night, "Who's on First?".
Chase Brexton Health Care was founded in 1978 as a gay men's STD screening clinic. The clinic operated as program of the Gay and Lesbian Community Center of Baltimore from 1978 until 1989. In 1989, Chase Brexton became an independent healthcare provider retaining its ties to the LGBT community and greatly expanding its health care services. As an acknowledgement of their origins, the new organization took the name Chase Brexton because the GLCCB was located at the intersection of Chase and Brexton Streets.
After operating many years at Cathedral and Eager Streets,听Chase Brexton Health Services purchased the Monumental Life Building at 1111 North Charles Street in 2012 and by the end of 2013 had transformed the buildings from offices into a new health clinic. The work included repairing the limestone exterior, even keeping and repairing the signature gold lettering spelling out 鈥淢ONUMENTAL LIFE.鈥 Original marble walls and floors were restored and imitation gold leaf ceiling was refinished using the original methods. An original wood-paneled 1928 board room was fully restored after having been subdivided into offices.
The move enabled Chase Brexton to continue to expand its services to the broader community while maintaining its long standing ties to the LGBT community in the Mount Vernon neighborhood. An iconic Mount Vernon Building had not only found a new owner, but found a new life and promises to serve as a great asset for years to come.
The Baltimore Manual Labor School for indigent boys, also known as the Arbutus Farm School, was established in 1841. The school emerged from of a larger social movement developing in urban Victorian society at the time. Amidst the energetic fervor of the Second Great Awakening, white, middle-class Americans began actively participating in a reform movement to change the lives of the poor, inner-city population. Industrialization in the early nineteenth century brought extreme population growth to urban centers. In Baltimore, the population grew six fold between the years of 1820 and 1860. Specialized private and federal institutions formed to battle a rise in young people living in poverty. They began working to relocate children from what they saw as unpromising home environments to more positive atmospheres.
The school provided a, 鈥淔ree Boarding School for indigent boys, mostly sons of poor widows who are unable to feed, clothe, and train their boys during the years that they should be acquiring an education, to enable each to attain a position of self support.鈥 The School opened its doors in 1841 with fifteen 鈥渄estitute and orphaned boy[s].鈥 By 1843, the Baltimore Manual Labor School had taken into its care a total of forty-two children.
By applying the boys to a rigorous program centered primarily on physical labor, the school intended to mold the character of these young men, while at the same time supplying them with applicable work skills, effectively generating productive members of society. In 1893, directors of the Baltimore Manual Labor School wrote:
鈥渢he best occupation we can train our boys up to, is that of a farmer. It is perhaps almost the only calling which is not overcrowded, and the one most likely to produce an honorable and independent livelihood for the boys who have no capital, but health and energy.鈥
The types of farm work included tending to the orchards, vegetable gardens, green houses and livestock. The boys attended educational classes including writing, reading and math. They also attended the Catonsville Methodist Church on Sundays and engaged in daily religious exercises. However, education and religion took a backseat to manual labor which required of a six hour daily shift from each child, even for young boys. The school admitted boys as young as five.
In 1922, Spring Grove Hospital purchased the land following a devastating fire in 1916. The Stabler family owned the property and helped to run the school. Family patriarch Edmund Stabler held the position of superintendent from 1884 to 1904. Interestingly, the hospital used the farmland for a patient agricultural rehabilitation program. The state incorporated this and adjacent tracts of land in the early 1960鈥檚 in order to create UMBC. The Stabler home was used by Dr. Albin O. Kuhn, UMBC鈥檚 first Chancellor, during the construction of the campus and the Albin O. Kuhn Library now occupies the site where the home stood.